INDEX.

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5" class="pginternal">35
  • floor of, 116
  • Ladies' baths, 14, 44, 111
  • Laundry, 16
  • Lavatorium, the, 4, 43
  • and shampooing room, 41
  • the hydropathic, 138
  • of private bath, 128
  • washing basins in, 43
  • water fittings of, 89
  • Lavatrina, the, 119, 127
  • M.
  • Mont Dore, baths at the Hotel, 135
  • cure, the, 136
  • Moorish bath, heating of the, 59
  • Mustaby, the Turkish, 57
  • O.
  • Obstacles to the progress of the bath, 1
  • Oriental colour decoration, 110
  • P.
  • Pay office, the, 14
  • Perspiration, object of, 11
  • Plumbing, 88, 100
  • Plunge bath, the, 46
  • between hot rooms and frigidarium, 12
  • chamber, lighting of, 104
  • construction of, 48
  • decoration of, 113
  • depth of, 48
  • for private baths, 129
  • in hydropathic establishments, 138
  • water fittings of, 99
  • Popular ignorance and the bath, 1
  • Processes of the bath, 11
  • Public Baths and Wash-houses Act, inadequacy of, 7
  • Public baths in England, unworthy of the nation, 29
  • general disposition of plan of, 17
  • R.
  • Rest after bath, necessity for, 13
  • Roman baths, method of heating the old, 59
  • nature of heat in old, 79
  • S.
  • Sanitary accommodation, necessity for care in providing, 15
  • Shampooer, space required by each, 43
  • Shampooing and the private bath, 128
  • benches, 34, 42
  • positions of bather during, 43
  • value of, 12
  • and washing room combined, arrangement of, 43
  • room, 42
  • ventilation of, 42
  • lighting of, [1] The Germans, with more perception and accuracy than ourselves, term the therapeutic agent that we called the Turkish bath, the "Roman-Irish bath"—the RÖmisch-irische BÄder. Both the ancient Roman bath and the old Irish "sweating-house," gave out radiant heat from the walls to the bather, and did not depend on the supplying of hot air.

  • [2] Not draughts. The ancient Romans, it is curious to note, would walk in the open air after the bath; and both the Frigidarium of the Romans and the Mustaby of the Turks were, and are, open to the heavens.

    [3] I do not know of any building—bath or otherwise, civil or domestic—in this country where the true spirit of Oriental colour decoration has been grasped. One of the chief principles which seems to have been missed is that in real Saracenic art the colours are employed in very small portions only, and no colour becomes insubordinate to the general effect.

    [4] Here is a branch of architectural design absolutely unstudied. Few architects visit the East, and none enter the baths there, either in Egypt, Turkey, or Morocco. The ordeal of the true Oriental shampooing doubtless deters the few who might be curious about these buildings.

    LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.





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