  Title: Corot Masterpieces in Colour Series Author: Sidney Allnutt Language: English Character set encoding: ISO-8859-1 E-text prepared by sp1nd |
| Note: | Images of the original pages are available through Internet Archive. See http://archive.org/details/corotocad00allnuoft |
MASTERPIECES
IN COLOUR
EDITED BY . .
T. LEMAN HARE
COROT
1796-1875
“Masterpieces in Colour” Series
| Artist. | Author. |
| VELAZQUEZ. | S. L. Bensusan. |
| REYNOLDS. | S. L. Bensusan. |
| TURNER. | C. Lewis Hind. |
| ROMNEY. | C. Lewis Hind. |
| GREUZE. | Alys Eyre Macklin. |
| BOTTICELLI. | Henry B. Binns. |
| ROSSETTI. | Lucien Pissarro. |
| BELLINI. | George Hay. |
| FRA ANGELICO. | James Mason. |
| REMBRANDT. | Josef Israels. |
| LEIGHTON. | A. Lys Baldry. |
| RAPHAEL. | Paul G. Konody. |
| HOLMAN HUNT. | Mary E. Coleridge. |
| TITIAN. | S. L. Bensusan. |
| MILLAIS. | A. Lys Baldry. |
| CARLO DOLCI. | George Hay. |
| GAINSBOROUGH. | Max Rothschild. |
| TINTORETTO. | S. L. Bensusan. |
| LUINI. | James Mason. |
| FRANZ HALS. | Edgcumbe Staley. |
| VAN DYCK. | Percy M. Turner. |
| LEONARDO DA VINCI. | M. W. Brockwell. |
| RUBENS. | S. L. Bensusan. |
| WHISTLER. | T. Martin Wood. |
| HOLBEIN. | S. L. Bensusan. |
| BURNE-JONES. | A. Lys Baldry. |
| VIGÉE LE BRUN. | C. Haldane MacFall. |
| CHARDIN. | Paul G. Konody. |
| FRAGONARD. | C. Haldane MacFall. |
| MEMLINC. | W. H. J. & J. C. Weale. |
| CONSTABLE. | C. Lewis Hind. |
| RAEBURN. | James L. Caw. |
| JOHN S. SARGENT. | T. Martin Wood. |
| LAWRENCE. | S. L. Bensusan. |
| DÜRER. | H. E. A. Furst. |
| MILLET. | Percy M. Turner. |
| WATTEAU. | C. Lewis Hind. |
| HOGARTH. | C. Lewis Hind. |
| MURILLO. | S. L. Bensusan. |
| WATTS. | W. Loftus Hare. |
| INGRES. | A. J. Finberg. |
| COROT. | Sidney Allnutt. |
| DELACROIX. | Paul G. Konody. |
Others in Preparation.
The “Danse des Bergers” is the living memorial of a happy mood—one of those moments of lyrical ecstasy of which Corot experienced so many, and which, by his genius, those less fortunate are enabled to share. The “feeling” in the drawing and painting of the trees is reminiscent of some words spoken by the painter when Paris was oppressing him—“I need living boughs. I want to see how the leaves of the willow grow from their branches. I am going to the country. When I bury my nose in a hazel-bush, I shall be fifteen years old. It is good; it breathes love!”
PLATE I.—DANSE DES BERGERS.Corot
BY SIDNEY ALLNUTT
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
