James Lane Allen

The nineteenth century opened gravely for the Kentuckians. Little akin as was the spirit of the people to that of the Puritans, life among them had been almost as granitic in its hardness and ruggedness and desolate unrelief. The only thing in the log-cabin that had sung from morning till night was the spinning-wheel. Not much behind those women but danger, anxiety, vigils, devastation, mournful tragedies; scarce one of them but might fitly have gone to her loom and woven herself a garment of sorrow. Not much behind those men but felling of trees, clearing of land, raising of houses, opening of roads, distressing problems of State, desolating wars of the republic. Most could remember the time when it was so common for a man to be killed, that to lie down and die a natural death seemed unnatural. Many must have had in their faces the sadness that was in the face of Lincoln.

Nevertheless, from the first, there had stood out among the Kentuckians broad exhibitions of exuberant animal vigor, of unbridled animal spirits. Some singularly and faithfully enough in the ancestral [130] vein of English sports and relaxations—dog-fighting and cock-fighting, rifle target-shooting, wrestling matches, foot-racing for the men, and quarter-racing for the horses. Without any thought of making spectacles or of becoming themselves a spectacle in history, they were always ready to form an impromptu arena and institute athletic games. They had even their gladiators. Other rude pleasures were more characteristic of their environment—the log-rolling and the quilting, the social frolic of the harvesting, the merry parties of flax-pullers, and the corn-husking at nightfall, when the men divided into sides, and the green glass whiskey-bottle, stopped with a corn-cob, was filled and refilled and passed from mouth to mouth, until out of those lusty throats rose and swelled a rhythmic choral song that could be heard in the deep woods a mile or more away: at midnight those who were sober took home those who were drunk. But of course none of these were organized amusements. They are not instances of taking pleasures sadly, but of attempts to do much hard, rough work with gladness. Other occasions, also, which have the semblance of popular joys, and which certainly were not passed over without merriment and turbulent, disorderly fun, were really set apart for the gravest of civic and political reasons: militia musters, stump-speakings, county court day assemblages, and the yearly July celebrations. Still other pleasures were of an economic [131] [132] [133] or utilitarian nature. Thus the novel and exciting contests by parties of men at squirrel-shooting looked to the taking of that destructive animal's scalp, to say nothing of the skin; the hunting of beehives in the woods had some regard to the scarcity of sugar; and the nut gatherings and wild-grape gatherings by younger folks in the gorgeous autumnal days were partly in memory of a scant, unvaried larder, which might profitably draw upon nature's rich and salutary hoard. Perhaps the dearest pleasures among them were those that lay closest to their dangers. They loved the pursuit of marauding parties, the solitary chase; were always ready to throw away axe and mattock for rifle and knife. Among pleasures, certainly, should be mentioned the weddings. For plain reasons these were commonly held in the daytime. Men often rode to them armed, and before leaving too often made them scenes of carousal and unchastened jocularities. After the wedding came the "infare," with the going from the home of the bride to the home of the groom. Above everything else that seems to strike the chord of common happiness in the society of the time, stands out to the imagination the picture of one of these processions—a long bridal cavalcade winding slowly along a narrow road through the silent primeval forest, now in sunlight, now in the shadow of mighty trees meeting over the way; at the head the young lovers, so rudely mounted, so [134] simply dressed, and, following in their happy wake, as though they were the augury of a peaceful era soon to come, a straggling, broken line of the men and women who had prepared for that era, but should never live to see its appearing.

CORN HUSKING.

Such scenes as these give a touch of bright, gay color to the dull homespun texture of the social fabric of the times. Indeed, when all the pleasures have been enumerated, they seem a good many. But the effect of such an enumeration is misleading. Life remained tense, sad, barren; character moulded itself on a model of Spartan simplicity and hardihood, without the Spartan treachery and cunning.

But from the opening of the nineteenth century things grew easier. The people, rescued from the necessity of trying to be safe, began to indulge the luxury of wishing to be happy. Life ceased to be a warfare, and became an industry; the hand left off defending, and commenced acquiring; the moulding of bullets was succeeded by the coining of dollars.

II

It is against the background of such a strenuous past that we find the Kentucky fair first projected by the practical and progressive spirit that ruled [135] among the Kentuckians in the year 1816. Nothing could have been conceived with soberer purpose, or worn less the aspect of a great popular pleasure. Picture the scene! A distinguished soldier and honored gentleman, with a taste for agriculture and fine cattle, has announced that on a certain day in July he will hold on his farm a "Grand Cattle Show and Fair, free for everybody." The place is near Lexington, which was then the centre of commerce and seat of learning in the [136] West. The meagre newspapers of the time have carried the tidings to every tavern and country cross-roads. It is a novel undertaking; the like has never been known this side of the Alleghanies. The summer morning come, you may see a very remarkable company of gentlemen: old pioneers, Revolutionary soldiers, volunteers of the War of 1812, walking in picturesque twos and threes out of the little town to the green woods where the fair is to be held; others jogging thitherward along the bypaths and newly-opened roads through the forest, clad in homespun from heel to head, and mindful of the cold lunches and whiskey-bottles in their coat-pockets or saddle-bags; some, perhaps, drawn thither in wagons and aristocratic gigs. Once arrived, all stepping around loftily on the velvet grass, peering curiously into each other's eyes, and offering their snuffboxes for a sneeze of convivial astonishment that they could venture to meet under the clear sky for such an undertaking. The five judges of the fair, coming from as many different counties, the greatest personages of their day—one, a brilliant judge of the Federal Court; the second, one of the earliest settlers, with a sword hanging up at home to show how Virginia appreciated his services in the Revolution; the third, a soldier and blameless gentleman of the old school; the fourth, one of the few early Kentuckians who brought into the new society the noble style of country-place, with park and deer, [137] that would have done credit to an English lord; and the fifth, in no respect inferior to the others. These "perform the duties assigned them with assiduity," and hand over to their neighbors as many as fifteen or twenty premium silver cups, costing twelve dollars apiece. After which, the assemblage variously disperses—part through the woods again, while part return to town.

Such, then, was the first Kentucky fair. It was a transplantation to Kentucky, not of the English or European fair, but of the English cattle-show. It resembled the fair only in being a place for buying and selling. And it was not thought of in the light of a merry-making or great popular amusement. It seems not even to have taken account of manufactures—then so important an industry—or of agriculture.

Like the first was the second fair held in the same place the year following. Of this, little is and little need be known, save that then was formed the first State Agricultural Society of Kentucky, which also was the first in the West, and the second in the United States. This society held two or three annual meetings, and then went to pieces, but not before laying down the broad lines on which the fair continued to be held for the next quarter of a century. That is, the fair began as a cattle-show, though stock of other kinds was exhibited. Then it was extended to embrace agriculture; and with [138] branches of good husbandry it embraced as well those of good housewifery. Thus at the early fairs one finds the farmers contesting for premiums with their wheats and their whiskeys, while their skilful helpmates displayed the products—the never-surpassed products—of their looms: linens, cassinettes, jeans, and carpetings.

With this brief outline we may pass over the next twenty years. The current of State life during this interval ran turbulent and stormy. Now politics, now finance, imbittered and distressed the people. Time and again, here and there, small societies revived the fair, but all efforts to expand it were unavailing. And yet this period must be distinguished as the one during which the necessity of the fair became widely recognized; for it taught the Kentuckians that their chief interest lay in the soil, and that physical nature imposed upon them the agricultural type of life. Grass was to be their portion and their destiny. It taught them the insulation of their habitat, and the need of looking within their own society for the germs and laws of their development. As soon as the people came to see that they were to be a race of farmers, it is important to note their concern that, as such, they should be hedged with respectability. They took high ground about it; they would not cease to be gentlemen; they would have their class well reputed for fat pastures and comfortable homes, but honored as [139] well for manners and liberal intelligence. And to this end they had recourse to an agricultural literature. Thus, when the fair began to revive, with happier auspices, near the close of the period under consideration, they signalized it for nearly the quarter [140] of a century afterwards by instituting literary contests. Prizes and medals were offered for discoveries and inventions which should be of interest to the Kentucky agriculturist; and hundreds of dollars were appropriated for the victors and the second victors in the writing of essays which should help the farmer to become a scientist and not to forget to remain a gentleman. In addition, they sometimes sat for hours in the open air while some eminent citizen—the Governor, if possible—delivered an address to commemorate the opening of the fair, and to review the progress of agricultural life in the commonwealth. But there were many anti-literarians among them, who conceived a sort of organized hostility to what they aspersed as book-farming, and on that account withheld their cordial support.

III

It was not until about the year 1840 that the fair began to touch-the heart of the whole people. Before this time there had been no amphitheatre, no music, no booths, no side-shows, no ladies. A fair without ladies! How could the people love it, or ever come to look upon it as their greatest annual occasion for love-making?

An interesting commentary on the social decorum [141] of this period is furnished in the fact that for some twenty years after the institution of the fair no woman put her foot upon the ground. She was thought a bold woman, doing a bold deed, who one day took a friend and, under the escort of gentlemen, drove in her own carriage to witness the showing of her own fat cattle; for she was herself one of the most practical and successful of Kentucky farmers. But where one of the sex has been, may not all the sex—may not all the world—safely follow? From the date of this event, and the appearance of women on the grounds, the tide of popular favor set in steadily towards the fair.

For, as an immediate consequence, seats must be provided. Here one happens upon a curious bit of local history—the evolution of the amphitheatre among the Kentuckians. At the earliest fairs the first form of the amphitheatre had been a rope stretched from tree to tree, while the spectators stood around on the outside, or sat on the grass or in their vehicles. The immediate result of the necessity for providing comfortable seats for the now increasing crowd, was to select as a place for holding the fair such a site as the ancient Greeks might have chosen for building a theatre. Sometimes this was the head of a deep ravine, around the sides of which seats were constructed, while the bottom below served as the arena for the exhibition of the stock, which was led in and out through the mouth of the hollow. At [142] other times advantage was taken of a natural sink and semicircular hill-side. The slope was sodded and terraced with rows of seats, and the spectators looked down upon the circular basin at the bottom. But clearly enough the sun played havoc with the complexions of the ladies, and a sudden drenching shower was still one of the uncomfortable dispensations of Providence. Therefore a roofed wooden structure of temporary seats made its appearance, designed after the fashion of those used by the travelling show, and finally out of this form came the closed circular amphitheatre, modelled on the plan of the Colosseum. Thus first among the Kentuckians, if I mistake not, one saw the English cattle-show, which meantime was gathering about itself many characteristics of the English fair, wedded strangely enough to the temple of a Roman holiday. By-and-by we shall see this form of amphitheatre torn down and supplanted by another, which recalls the ancient circus or race-course—a modification corresponding with a change in the character of the later fair.

The most desirable spot for building the old circular amphitheatre was some beautiful tract of level ground containing from five to twenty acres, and situated near a flourishing town and its ramifying turnpikes. This tract must be enclosed by a high wooden paling, with here and there entrance gates for stock and pedestrians and vehicles, guarded by [143] [144] [145] gate-keepers. And within this enclosure appeared in quick succession all the varied accessories that went to make up a typical Kentucky fair near the close of the old social regime; that is, before the outbreak of the Civil War.

Here were found the hundreds of neat stalls for the different kinds of stock; the gay booths under the colonnade of the amphitheatre for refreshments; the spacious cottages for women and invalids and children; the platforms of the quack-doctors; the floral hall and the pagoda-like structure for the musicians and the judges; the tables and seats for private dining; the high swings and the turnabouts; the tests of the strength of limb and lung; the gaudy awnings for the lemonade venders; the huge brown hogsheads for iced-water, with bright tin cups dangling from the rim; the circus; and, finally, all those tented spectacles of the marvellous, the mysterious, and the monstrous which were to draw popular attention to the Kentucky fair, as they had been the particular delight of the fair-going thousands in England hundreds of years before.

For you will remember that the Kentucky fair has ceased by this time to be a cattle-show. It has ceased to be simply a place for the annual competitive exhibition of stock of all kinds, which, by-the-way, is beginning to make the country famous. It has ceased to be even the harvest-home of the Bluegrass Region, the mild autumnal saturnalia of its [146] rural population. Whatever the people can discover or invent is indeed here; or whatever they own, or can produce from the bountiful earth, or take from orchard or flower-garden, or make in dairy, kitchen, or loom-room. But the fair is more than all this now. It has become the great yearly pleasure-ground of the people assembled for a week's festivities. It is what the European fair of old was—the season of the happiest and most general intercourse between country and town. Here the characteristic virtues and vices of the local civilization will be found in open flower side by side, and types and manners painted to the eye in vividest colorings.

Crowded picture of a time gone by! Bright glancing pageantry of life, moving on with feasting and music and love-making to the very edge of the awful precipice, over which its social system and its richly nurtured ideals will be dashed to pieces below!—why not pause an instant over its innocent mirth, and quick, awful tragedies?

IV

The fair has been in progress several days, and this will be the greatest day of all: nothing shown from morning till night but horses—horses in harness, horses under the saddle. Ah! but that will be [147] [148] [149] worth seeing! Late in the afternoon the little boys will ride for premiums on their ponies, and, what is not so pretty, but far more exciting, young men will contest the prize of horsemanship. And then such racking and pacing and loping and walking!—such racing round and round and round to see who can go fastest, and be gracefulest, and turn quickest! Such pirouetting and curveting and prancing and cavorting and riding with arms folded across the breast while the reins lie on the horse's neck, and suddenly bowing over to the horse's mane, as some queen of beauty high up in the amphitheatre, transported by the excitement of the thousands of spectators and the closeness of the contest, throws her flowers and handkerchief down into the arena! Ah, yes! this will be the great day at the fair—at the modern tourney!

So the tide of the people is at the flood. For days they have been pouring into the town. The hotels are overflowing with strangers; the open houses of the citizens are full of guests. Strolling companies of players will crack the dusty boards tonight with the tread of buskin and cothurnus. The easy-going tradespeople have trimmed their shops, and imported from the North their richest merchandise.

From an early hour of the morning, along every road that leads from country or town to the amphitheatre, pour the hurrying throng of people, eager to [150] get good seats for the day; for there will be thousands not seated at all. Streaming out, on the side of the town, are pedestrians, hacks, omnibuses, the negro drivers shouting, racing, cracking their whips, and sometimes running into the way-side stands where old negro women are selling apples and gingerbread. Streaming in, on the side of the country, are pedestrians, heated, their coats thrown over the shoulder or the arm; buggies containing often a pair of lovers who do not keep their secret discreetly; family carriages with children made conspicuously tidy and mothers aglow with the recent labors of the kitchen: comfortable evidences of which are the huge baskets or hampers that are piled up in front or strapped on behind. Nay, sometimes may be seen whole wagon-loads of provisions moving slowly in, guarded by portly negresses, whose eyes shine like black diamonds through the setting of their white-dusted eyelashes.

Within the grounds, how rapidly the crowd swells and surges hither and thither, tasting the pleasures of the place before going to the amphitheatre: to the stalls, to the booths, to the swings, to the cottage, to the floral hall, to the living curiosities, to the swinish pundits, who have learned their lessons in numbers and cards. Is not that the same pig that was shown at Bartholomew's four centuries ago? Mixed in with the Kentuckians are people of a different build and complexion. For Kentucky now is one of the [151] [152] [153] great summering States for the extreme Southerners, who come up with their families to its watering-places. Others who are scattered over the North return in the autumn by way of Kentucky, remaining till the fair and the fall of the first frost. Nay, is not the State the place for the reunion of families that have Southern members? Back to the old home from the rice and sugar and cotton plantations of the swamps and the bayous come young Kentucky wives with Southern husbands, young Kentucky husbands with Southern wives. All these are at the fair—the Lexington fair. Here, too, are strangers from wellnigh every Northern State. And, I beg you, do not overlook the negroes—a solid acre of them. They play unconsciously a great part in the essential history of this scene and festival. Briskly grooming the stock in the stalls; strolling around with carriage whips in their hands; running on distant errands; showering a tumult of blows upon the newly-arrived "boss" with their nimble, ubiquitous brush-brooms; everywhere, everywhere, happy, well-dressed, sleek—the fateful background of all this stage of social history.

But the amphitheatre! Through the mild, chastened, soft-toned atmosphere of the early September day the sunlight falls from the unclouded sky upon the seated thousands. Ah, the women in all their silken and satin bravery! delicate blue and pink and canary-colored petticoats, with muslin over-dresses, [154] black lace and white lace mantles, white kid gloves, and boots to match the color of their petticoats. One stands up to allow a lemonade-seller to pass; she wears a hoop-skirt twelve feet in circumference. Here and there costumes suitable for a ball; arms and shoulders glistening like marble in the sunlight; gold chains around the delicate arching necks. Oh, the jewels, the flowers, the fans, the parasols, the ribbons, the soft eyes and smiles, the love and happiness! And some of the complexions!—paint on the cheeks, powder on the neck, stick-pomatum plastering the beautiful hair down over the temples. No matter; it is the fashion. Rub it in! Rub it in well—up to the very roots of the hair and eyebrows! Now, how perfect you are, madam! You are the great Kentucky show of life-size wax-works.

In another part of the amphitheatre nothing but men, red-faced, excited, standing up on the seats, shouting, applauding, as the rival horses rush round the ring before them. It is not difficult to know who these are. The money streams through their fingers. Did you hear the crack of that pistol? How the crowd swarms angrily. Stand back! A man has been shot. He insulted a gentleman. He called him a liar. Be careful. There are a great many pistols on the fair grounds.

In all the United States where else is there to be seen any such holiday assemblage of people—any such expression of the national life impressed with [155] local peculiarities? Where else is there to be seen anything that, while it falls far behind, approaches so near the spirit of uproarious merriment, of reckless fun, which used to intoxicate and madden the English populace when given over to the sports of a ruder age?

These are the descendants of the sad pioneers—of those early cavalcades which we glanced at in the primeval forests a few minutes ago. These have subdued the land, and are reclining on its tranquil autumn fulness. Time enough to play now—more time than there ever was before; more than there will ever be again. They have established their great fair here on the very spot where their forefathers were massacred or put to torture. So, at old Smithfield, the tumblers, the jesters, the [156] buffoons, and the dancers shouldered each other in joyful riot over the ashes of the earlier heroes and martyrs.

It is past high noon, and the thousands break away from the amphitheatre and move towards a soft green woodland in another part of the grounds, shaded by forest trees. Here are the private dinner-tables—hundreds of them, covered with snowy linen, glittering with glass and silver. You have heard of Kentucky hospitality; here you will see one of the peaceful battle-fields where reputation for that virtue is fought for and won. Is there a stranger among these thousands that has not been hunted up and provided for? And such dinners! Old Pepys should be here—immortal eater—so that he could go home and set down in his diary, along with other gastronomic adventures, garrulous notes of what he saw eaten and ate himself at the Kentucky fair. You will never see the Kentuckians making a better show than at this moment. What courtesy, what good-will, what warm and gracious manners! Tie a blue ribbon on them. In a competitive exhibition of this kind the premium will stay at home.

But make the most of it—make the most of this harmony. For did you see that? A father and a son met each other, turned their heads quickly and angrily away, and passed without speaking.

Look how these two men shake hands with too much cordiality, and search each other's eyes. There [157] is a man from the North standing apart and watching with astonishment these alert, happy, efficient negroes—perhaps following with his thoughtful gaze one of Mrs. Stowe's Uncle Toms. A Southerner has drawn that Kentucky farmer beside a tree, and is trying to buy one of these servants for his plantation. Yes, yes, make the most of it! The war is coming. It is in men's hearts, and in their eyes and consciences. By-and-by this bright, gay pageant will pass so entirely away that even the thought of it will come back to one like the unsubstantial revelry of a dream. By-and-by there will be another throng filling these grounds: not in pink and white and canary, but in blue, solid blue—blue overcoats, showing sad and cold above the snow. All round the amphitheatre tents will be spread—not covering, as now, the hideous and the monstrous, but the sleeping [158] forms of young men, athletic, sinewy, beautiful. This, too, shall vanish. And some day, when the fierce summer sun is killing the little gray leaves and blades of grass, in through these deserted gates will pass a long, weary, foot-sore line of brown. Nothing in the floral hall now but cots, around which are nurses and weeping women. Lying there, some poor young fellow, with the death dew on his forehead, will open his shadowy eyes and remember this day of the fair, where he walked among the flowers and made love.

But it is late in the afternoon, and the people are beginning to disperse by turnpike and lane to their homes in the country, or to hasten back into town for the festivities of the night; for to-night the spirit of the fair will be continued in other amphitheatres. To-night comedy and tragedy will tread the village boards; but hand in hand also they will flaunt their colors through the streets, and haunt the midnight alleys. In all the year no time like fair-time: parties at private houses; hops, balls at the hotels. You shall sip the foam from the very crest of the wave of revelry and carousal. Darkness be over it till the east reddens! Let Bacchus be unconfined! [159]

[160]
[161]

V

The fair languished during the war, but the people were not slow to revive it upon the return of peace. Peace, however, could never bring back the fair of the past: it was gone forever—gone with the stage and phase of the social evolution of which it was the unique and memorable expression. For there was no phase of social evolution in Kentucky but felt profoundly that era of upheaval, drift, and readjustment. Start where we will, or end where we may, we shall always come sooner or later to the war as a great rent and chasm, with its hither side and its farther side and its deep abyss between, down into which old things were dashed to death, and out of which new things were born into the better life.

Therefore, as we study the Kentucky fair of today, more than a quarter of a century later, we must expect to find it much changed. Withal it has many local variations. As it is held here and there in retired counties or by little neighborhoods it has characteristics of rural picturesqueness that suggest the manners of the era passed away. But the typical Kentucky fair, the fair that represents the leading interests and advanced ideas of the day, bears testimony enough to the altered life of the people. [162]

The old circular amphitheatre has been torn down, and replaced with a straight or a slightly curved bank of seats. Thus we see the arena turned into the race-course, the idea of the Colosseum giving way to the idea of the Circus Maximus. In front of the bank of seats stretch a small track for the exhibition of different kinds of stock, and a large track for the races. This abandonment of the old form of amphitheatre is thus a significant concession to the trotting-horse, and a sign that its speed has become the great pleasure of the fair.

As a picture, also, the fair of to-day lacks the Tyrolean brightness of its predecessor; and as a social event it seems like a pensive tale of by-gone merriment. Society no longer looks upon it as the occasion of displaying its wealth, its toilets, its courtesies, its hospitalities. No such gay and splendid dresses now; no such hundreds of dinner-tables on the shaded greensward. It would be too much to say that the disappearance of the latter betokens the loss of that virtue which the gracious usages of a former time made a byword. The explanation lies elsewhere. Under the old social regime a common appurtenance to every well-established household was a trained force of negro servants. It was the services of these that made the exercise of generous public entertainment possible to the Kentucky housewife. Moreover, the lavish ideals of the time threw upon economy the reproach of meanness; [163] and, as has been noted, the fair was then the universally recognized time for the display of munificent competitive hospitalities. In truth, it was the sharpness of the competition that brought in at last the general disuse of the custom; for the dinners grew more and more sumptuous, the labor of preparing them more and more severe, and the expense of paying for them more and more burdensome. So to-day the Kentuckians remain a hospitable people, [164] but you must not look to find the noblest exercise of their hospitality at the fair. A few dinners you will see, but modest luncheons are not despicable and the whole tendency of things is towards the understanding that an appetite is an affair of the private conscience. And this brings to light some striking differences between the old and the new Kentuckians. Along with the circular amphitheatre, the dresses, and the dinners, have gone the miscellaneous amusements of which the fair was ere-while the mongrel scene and centre. The ideal fair of to-day frowns upon the side-show, and discards every floating accessory. It would be self-sufficient. It would say to the thousands of people who still attend it as the greatest of all their organized pleasures, "Find your excitement, your relaxation, your happiness, in a shed for machinery, a floral hall, and the fine stock." But of these the greatest attraction is the last, and of all kinds of stock the one most honored is the horse. Here, then, we come upon a noteworthy fact: the Kentucky fair, which began as a cattle-show, seems likely to end with being a horse-show.

If anything is lacking to complete the contrast between the fair in the fulness of its development before the war and the fair of to-day, what better could be found to reflect this than the different morale of the crowd?

You are a stranger, and you have the impression [165] [166] [167] that an assemblage of ten, fifteen, twenty thousand Kentuckians out on a holiday is pervaded by the spirit of a mob. You think that a few broken heads is one of its cherished traditions; that intoxication and disorderliness are its dearest prerogatives. But nowadays you look in vain for those heated, excited men with money lying between their fingers, who were once the rebuke and the terror of the amphitheatre. You look in vain for heated, excited men of any kind: there are none. There is no drinking, no bullying, no elbowing, or shouldering, or swearing.

While still in their nurses' arms you may sometimes see the young Kentuckians shown in the ring at the horse-fair for premiums. From their early years they are taken to the amphitheatre to enjoy its color, its fleetness, and its form. As little boys they ride for prizes. The horse is the subject of talk in the hotels, on the street corners, in the saloons, at the stables, on county court day, at the cross-roads and blacksmiths' shops, in country church-yards before the sermon. The barber, as he shaves his morning customer, gives him points on the races. There will be found many a group of gentlemen in whose presence to reveal an ignorance of famous horses and common pedigrees will bring a blush to the cheek. Not to feel interested in such themes is to lay one's self open to a charge of disagreeable eccentricity. The horse has gradually emerged into prominence until to-day it occupies the foreground. [168]
[169]

[170]

[171]