HOW I CAME TO WRITE MY FIRST BOOK.

When I was sixteen years old I belonged to a composition class. It was our custom to go on the recitation seat every day with clean slates, and we were allowed ten minutes to write seventy words on any subject the teacher thought suited to our capacity. One day he gave out "What a Man Would See if He Went to Greenland." My heart was in the matter, and before the ten minutes were up I had one side of my slate filled. The teacher listened to the reading of our compositions, and when they were all over he simply said: "Some of you will make your living by writing one of these days." That gave me something to ponder upon. I did not say so out loud, but I knew that my composition was as good as the best of them. By the way, there was another thing that came in my way just then. I was reading at that time one of Mayne Reid's works which I had drawn from the library, and I pondered upon it as much as I did upon what the teacher said to me. In introducing Swartboy to his readers he made use of this expression: "No visible change was observable in Swartboy's countenance." Now, it occurred to me that if a man of his education could make such a blunder as that and still write a book, I ought to be able to do it, too. I went home that very day and began a story, "The Old Guide's Narrative," which was sent to the New York Weekly, and came back, respectfully declined. It was written on both sides of the sheets but I didn't know that this was against the rules. Nothing abashed, I began another, and receiving some instruction, from a friend of mine who was a clerk in a book store, I wrote it on only one side of the paper. But mind you, he didn't know what I was doing. Nobody knew it; but one day, after a hard Saturday's work—the other boys had been out skating on the brick-pond—I shyly broached the subject to my mother. I felt the need of some sympathy. She listened in amazement, and then said: "Why, do you think you could write a book like that?" That settled the matter, and from that day no one knew what I was up to until I sent the first four volumes of Gunboat Series to my father. Was it work? Well, yes; it was hard work, but each week I had the satisfaction of seeing the manuscript grow until the "Young Naturalist" was all complete.—Harry Castlemon in the Writer.

GUNBOAT SERIES.

ROCKY MOUNTAIN SERIES.

SPORTSMAN'S CLUB SERIES.

FRANK NELSON SERIES.

ROUGHING IT SERIES.

ROD AND GUN SERIES.

GO-AHEAD SERIES.

WAR SERIES.

HOUSEBOAT SERIES.

AFLOAT AND ASHORE SERIES.

J. T. TROWBRIDGE.

Neither as a writer does he stand apart from the great currents of life and select some exceptional phase or odd combination of circumstances. He stands on the common level and appeals to the universal heart, and all that he suggests or achieves is on the plane and in the line of march of the great body of humanity.

The Jack Hazard series of stories, published in the late Our Young Folks, and continued in the first volume of St. Nicholas, under the title of "Fast Friends," is no doubt destined to hold a high place in this class of literature. The delight of the boys in them (and of their seniors, too) is well founded. They go to the right spot every time. Trowbridge knows the heart of a boy like a book, and the heart of a man, too, and he has laid them both open in these books in a most successful manner. Apart from the qualities that render the series so attractive to all young readers, they have great value on account of their portraitures of American country life and character. The drawing is wonderfully accurate, and as spirited as it is true. The constable, Sellick, is an original character, and as minor figures where will we find anything better than Miss Wansey, and Mr. P. Pipkin, Esq. The picture of Mr. Dink's school, too, is capital, and where else in fiction is there a better nick-name than that the boys gave to poor little Stephen Treadwell, "Step Hen," as he himself pronounced his name in an unfortunate moment when he saw it in print for the first time in his lesson in school.

On the whole, these books are very satisfactory, and afford the critical reader the rare pleasure of the works that are just adequate, that easily fulfill themselves and accomplish all they set out to do.—Scribner's Monthly.

JACK HAZARD SERIES.

CHARLES ASBURY STEPHENS.

This author wrote his "Camping Out Series" at the very height of his mental and physical powers.

CAMPING OUT SERIES.

Camping Out. As Recorded by "Kit."

Left on Labrador; Or, the Cruise of the Schooner Yacht "Curlew." As Recorded by "Wash."

Off to the Geysers; or the Young Yachters in Iceland. As Recorded by "Wade."

Lynx Hunting: From Notes by the Author of "Camping Out."

Fox Hunting. As Recorded by "Raed."

On the Amazon; or, the Cruise of the "Rambler." As Recorded by "Wash."

FAMOUS STANDARD JUVENILES FOR GIRLS

A GOOD GIRL'S BOOK IS HARD TO FIND!

One often hears the above quoted. These books have stood the tests of time and careful mothers, and will be of the greatest interest to girls of all ages. Free from any unhealthy sensationalism, yet full of incident and romance, they are the cream of the best girls' books published.

WAYS AND MEANS LIBRARY. By Margaret Vandegrift.

STORIES FOR GIRLS.

HONEST ENDEAVOR LIBRARY. By Lucy C. Lillie.

MILBROOK LIBRARY. By Lucy C. Lillie.

RECENT SUCCESSES

The following, though of recent date, have at once reached such a height of popularity that they can already be classified as standards.

HURLBUT'S STORY OF THE BIBLE told for YOUNG AND OLD

by Rev. Jesse Lyman Hurlbut, D.D.

A Veritable "Arabian Nights" of Entertainment Containing 168 Complete Illustrated Stories

THE BIBLE MADE FASCINATING TO CHILDREN.—The heroes and the noble men and women of the Bible are made to appear as living, acting people. The book is an original work, and in no sense an imitation. It has been in preparation for a number of years.

THE DISTINGUISHED AUTHOR.—Dr. Hurlbut has long been associated with, and director of, the Sunday School work of one of the largest denominations, and he has been more closely associated with the detail work of the Chautauqua movement than has any other man. He is also well known as a writer.

REMARKABLE FOR THE BEAUTY AND NUMBER OF ITS ILLUSTRATIONS.—There are sixteen pictures in color prepared for this work by the distinguished artist, W. H. Margetson, and reproduced with the beauty and attractiveness of the artist's original work. There are also nearly 300 half-tone engravings in this remarkable book, which is as original in the selection of its illustrations as it is in its stories.

WHAT OTHERS THINK OF IT