THE LAST CAESAR
IN WESTMINSTER ABBEY
ALEC YEATON'S SON GLOUCESTER, AUGUST, 1720
AT THE FUNERAL OF A MINOR POET
ACT V
TENNYSON I
THE SHIPMAN'S TALE
"I VEX ME NOT WITH BROODING ON THE YEARS"
MONODY ON THE DEATH OF WENDELL PHILLIPS I
A MOOD
GUILIELMUS REX
"PILLARED ARCH AND SCULPTURED TOWER"
THRENODY I
SESTET SENT TO A FRIEND WITH A VOLUME OF TENNYSON
A TOUCH OF NATURE
MEMORY
"I'LL NOT CONFER WITH SORROW"
A DEDICATION
NO SONGS IN WINTER
"LIKE CRUSOE, WALKING BY THE LONELY STRAND"
THE LETTER EDWARD ROWLAND SILL, DIED FEBRUARY 27, 1887
SARGENT'S PORTRAIT OF EDWIN BOOTH AT "THE PLAYERS"
CORYDON A PASTORAL SCENE: A roadside in Arcady SHEPHERD.
AT A READING
THE MENU
AN ELECTIVE COURSE LINES FOUND AMONG THE PAPERS OF A HARVARD UNDERGRADUATE
L'EAU DORMANTE
THALIA A MIDDLE-AGED LYRICAL POET IS SUPPOSED TO BE TAKING
PALINODE
A PETITION
Title: The Sisters' Tragedy
Author: Thomas Bailey Aldrich
Language: English
Produced by Judith Boss
THE SISTERS' TRAGEDY WITH OTHER POEMS, LYRICAL AND DRAMATIC. BY THOMAS BAILEY ALDRICH
CONTENTS
THE SISTERS' TRAGEDY THE LAST CAESAR IN WESTMINSTER ABBEY ALEC YEATON'S SON AT THE FUNERAL OF A MINOR POET BATUSCHKA ACT V TENNYSON THE SHIPMAN'S TALE "I VEX ME NOT WITH BROODING ON THE YEARS" MONODY ON THE DEATH OF WENDELL PHILLIPS INTERLUDES ECHO-SONG A MOOD GUILIELMUS REX "PILLARED ARCH AND SCULPTURED TOWER THRENODY SESTET A TOUCH OF NATURE MEMORY "I'LL NOT CONFER WITH SORROW" A DEDICATION NO SONGS IN WINTER "LIKE CRUSOE, WALKING BY THE LONELY STRAND THE LETTER SARGENT'S PORTRAIT OF EDWIN BOOTH AT "THE PLAYERS" PAULINE PAVLOVNA BAGATELLE. CORYDON: A PASTORAL AT A READING THE MENU AN ELECTIVE COURSE L'EAU DORMANTE THALIA PALINODE A PETITION
THE SISTERS' TRAGEDY
A. D. 1670
AGLAE, a widow
MURIEL, her unmarried sister.
IT happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,
The two together grieving, each to each
Unveiled her soul with sobs and broken speech.
Both still were young, in life's rich summer yet;
And one was dark, with tints of violet
In hair and eyes, and one was blond as she
Who rose—a second daybreak—from the sea,
Gold-tressed and azure-eyed. In that lone place,
Like dusk and dawn, they sat there face to face.
She spoke the first whose strangely silvering hair
No wreath had worn, nor widow's weed might wear,
And told her blameless love, and knew no shame—
Her holy love that, like a vestal flame
Beside the sacred body of some queen
Within a guarded crypt had burned unseen
From weary year to year. And she who heard
Smiled proudly through her tears and said no word,
But, drawing closer, on the troubled brow
Laid one long kiss, and that was words enow!
MURIEL.
Be still, my heart! Grown patient with thine ache,
Thou shouldst be dumb, yet needs must speak, or break.
The world is empty now that he is gone.
AGLAE.
Ay, sweetheart!
MURIEL.
None was like him, no, not one.
From other men he stood apart, alone
In honor spotless as unfallen snow.
Nothing all evil was it his to know;
His charity still found some germ, some spark
Of light in natures that seemed wholly dark.
He read men's souls; the lowly and the high
Moved on the self-same level in his eye.
Gracious to all, to none subservient,
Without offence he spake the word he meant—
His word no trick of tact or courtly art,
But the white flowering of the noble heart.
Careless he was of much the world counts gain,
Careless of self, too simple to be vain,
Yet strung so finely that for conscience-sake
He would have gone like Cranmer to the stake.
I saw—how could I help but love? And you—
AGLAE.
At this perfection did I worship too . . .
'Twas this that stabbed me. Heed not what I say!
I meant it not, my wits are gone astray,
With all that is and has been. No, I lie—
Had he been less perfection, happier I!
MURIEL.
Strange words and wild! 'Tis the distracted mind
Breathes them, not you, and I no meaning find.
AGLAE.
Yet 'twere as plain as writing on a scroll
Had you but eyes to read within my soul.—
How a grief hidden feeds on its own mood,
Poisons the healthful currents of the blood
With bitterness, and turns the heart to stone!
I think, in truth, 'twere better to make moan,
And so be done with it. This many a year,
Sweetheart, have I laughed lightly and made cheer,
Pierced through with sorrow!
Then the widowed one
With sorrowfullest eyes beneath the sun,
Faltered, irresolute, and bending low
Her head, half whispered,
Dear, how could you know?
What masks are faces!—yours, unread by me
These seven long summers; mine, so placidly
Shielding my woe! No tremble of the lip,
No cheek's quick pallor let our secret slip!
Mere players we, and she that played the queen,
Now in her homespun, looks how poor and mean!
How shall I say it, how find words to tell
What thing it was for me made earth a hell
That else had been my heaven! 'Twould blanch your cheek
Were I to speak it. Nay, but I will speak,
Since like two souls at compt we seem to stand,
Where nothing may be hidden. Hold my hand,
But look not at me! Noble 'twas, and meet,
To hide your heart, nor fling it at his feet
To lie despised there. Thus saved you our pride
And that white honor for which earls have died.
You were not all unhappy, loving so!
I with a difference wore my weight of woe.
My lord was he. It was my cruel lot,
My hell, to love him—for he loved me not!
Then came a silence. Suddenly like death
The truth flashed on them, and each held her breath—
A flash of light whereby they both were slain,
She that was loved and she that loved in vain!