The following work contains, with some few trifling exceptions, the speeches and addresses delivered by His Royal Highness the Prince Consort. It is published at the express desire, and under the sanction, of Her Majesty. It has been thought that this publication will not only be a worthy tribute to the Prince’s memory, but that it will have a deep interest for a large circle of readers. There will be those who were personally attached to the Prince, and who will be "Those who will be interested by the speeches." glad to have a record of these speeches, upon which he bestowed so much care and thought. To the statesman, to the man of science, and to those who care for the social well-being of the people, these speeches will be interesting, as coming from one who himself was a master in those three great Now, why were these speeches unique? In the first place, the man who spoke them had not only a scientific and an artistic mind (which is a rare combination), but he was full of knowledge and of suggestive views upon almost every subject. But that was not all. The expression of this knowledge "The drawbacks upon the Prince in speaking." and of these views had to be compressed and restrained in every direction. He was a Prince, and so close to the Throne that he could not but feel that every word he uttered might be considered as emanating from the Throne. He was not born in the country, and therefore he had to watch lest any advice he gave might be in the least degree unacceptable, as not coming from a native. He had all the responsibilities of office, without having a distinct office to fill. At all points he had to guard himself from envy, from misconstruction, "Eloquence much furthered by absence from restraint." It is said, and with some truth, that almost anybody might appear witty who should be inconsiderate and unscrupulous in his talk. The gracious reserve that kind-hearted men indulge in, tends to dim their brilliancy, and to lessen their powers of conversation. What is true of wit is true also of wisdom. In considering the speeches of the best speakers, and comparing them one with another, careful account must be taken of the degrees of freedom of speech which the speakers respectively enjoyed. Often a man gains great credit for eloquence and boldness, when the credit is largely due to his having no responsibility, or to his careless way of ignoring what he has. Such considerations as the above should be continually in the mind of any reader of the Of the Prince’s speeches, as of much of his life, it may be said that the movement of them was graceful, noble, and dignified; but yet it was like the movement of a man in chain armour, which, even with the strongest and most agile person, must ever have been a movement somewhat fettered by restraint. The principal elements that go to compose a great oration had often to be modified largely in these speeches of the Prince. Wit was not to be jubilant,—passion not pre-dominant,—dialectic "The leading idea of the speaker." After reading continuously the speeches of any remarkable man, we generally seek to discover what is the leading idea of his mind—what is the string on which his pearls of rhetoric, or of fancy, have been strung. And if we were asked what is this leading idea with the Prince, we might safely reply—the beauty of usefulness. "His speeches exhaustive." "Speech at the Servants’ Provident Benevolent Society." Not that there are not many minor characteristics of an admirable kind which it may be well to point out, and to illustrate by examples. His speeches, though short, are singularly exhaustive of the subject. As an instance, take his speech at the Servants’ Provident Benevolent Society. “I conceive,” he said, “that this Society is founded upon a right principle, as it follows out the dictates of a correct appreciation of human nature, which requires every man, by personal exertion and according Another striking instance of this exhaustiveness, and also of his generosity of feeling, “In this respect our times are peculiarly unfavourable when compared with those when Madonnas were painted in the seclusion of convents; for we have now on “The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.” How thoroughly the Prince here feels with the artist! At the same time, how he demands the highest order of criticism! What discernment is shown in the comparison between our own time and other times as regards the peculiar circumstances of criticism! And, in the last paragraph, how justly he points out what are the dangers to High Art in the present period! Indeed, this speech, taken as a whole, may "The Prince’s desire to get at principles of action." "Speech on laying the first stone of the Birmingham and Midland Institute." Again, another characteristic in the Prince’s speeches is the evident desire in them to get at the law, or the principle, upon which the matter in question should be settled. As an instance of this I would adduce the following extract from his speech when laying the first stone of the Birmingham and Midland Institute: “Without such knowledge we are condemned to one of three states: either we merely go on to do things just as our fathers did, and for no better reason than because they did so; or, trusting to some personal authority, we adopt at random the recommendation of some specific in a speculative hope that it may answer; or, lastly, and this is the most favourable case, we ourselves improve upon certain processes; but this can only be the result of an experience hardly earned and dearly bought, and which, after all, can only embrace a comparatively short space of time and a small number of experiments. “From none of these courses can we “But these laws of nature, these divine laws, are capable of being discovered and understood, and of being taught and made our own. This is the task of science: and whilst science discovers and teaches these laws, art teaches their application. No pursuit is therefore too insignificant not to be capable of becoming the subject both of science and art.” "Condense-ness of the Prince’s speeches." Contrary to our feeling in reading most speeches, we are always sorry when the Prince has ended, and we want more to have been said by him; and yet, if we look attentively at any of the speeches, we cannot but see that so much has been said that we must acknowledge ourselves somewhat unreasonable in wishing to have had any more. His speech on laying the foundation stone of the National Gallery at Edinburgh affords a notable instance of this. It is so short that you feel inclined to clamour for more; and The sympathetic nature of the Prince, which enabled him to feel so largely and deeply for all classes of men, visible throughout his speeches, is nowhere better seen than in his speech at the Bicentenary Festival of the Sons of the Clergy. How rarely, by any one, has a just tenderness for the Clergy been shown in ampler and in nobler terms than in the following extract:— "Speech at the Bicentenary Festival of the Sons of the Clergy." “Gentlemen, the appellation of a ‘money-making parson’ is not only a reproach but a condemnation for a clergyman, depriving him at once of all influence over his congregation; yet this man, who has to shun opportunities for acquiring wealth open to most of us, and who has himself only an often scanty life income allotted to him for his services, has a wife and In estimating the Prince Consort’s speeches, it is to be recollected that for the most part they treat of topics of an abstract character, and seldom take up what is merely personal as their subject, which, however, is always the most interesting to mankind. This could not be avoided from the position of the Prince; but it is much to be regretted, for whenever he did speak of something personal, he was particularly successful. For instance, if we were called upon to furnish for history the main characteristics of Sir Robert Peel’s mind, we could not refer to any description of that eminent statesman which would at all compete with that given by the Prince Consort in the speech that he made at the dinner to which he was invited by the Lord Mayor of York. “There is but one alloy,” the Prince said, “to my feelings of satisfaction and pleasure in seeing you here assembled again, and “Only at our last meeting we were still admiring his eloquence and the earnestness with which he appealed to you to uphold, by your exertions and personal sacrifices, what was to him the highest object, the honour of his country; he met you the following day together with other commissioners, to confer with you upon the details of our undertaking; and you must have been struck, as everybody has been who has had the benefit of his advice upon practical points, with the attention, care, and sagacity with which he treated the minutest details, proving that to a great mind nothing is little, from the knowledge that in the moral “The constitution of Sir Robert Peel’s mind was peculiarly that of a statesman, and of an English statesman: he was liberal from feeling, but conservative upon principle; whilst his impulse drove him to foster progress, his sagacious mind and great experience showed him how easily the whole machinery of a state and of society is deranged, and how important, but how difficult also, it is to direct its further development in accordance with its fundamental principles, like organic growth in nature. It was peculiar to him, that, in great things as in small, all the difficulties and objections occurred to him first; he would anxiously consider them, pause, and warn against rash resolutions; but, having convinced himself, after a long and careful investigation, that a step was not only right to be taken, but of the practical mode also of safely taking it, it became to him a "The Prince’s careful preparation of his speeches." The foregoing are some of the principal characteristics of the Prince’s speeches. It remains only to be said that he thought over them with the greatest care and anxiety. His respect for his audience, and also for his own position, made him always endeavour to give the best thought he could to whatever subject he was treating. He looked upon every occasion he had for speaking as affording him an opportunity of saying something that might be useful for his fellow-countrymen; and he toiled to make that something worthy of him, and worthy of them. "The Prince’s speech at the Trinity House, June 9, 1855." The Editor of these Speeches has thought it best to give them without any introductory comments or explanations. One speech, however, brought forth so much misrepresentation, that, in reference to that circumstance, Why does he dwell upon the power of despotism? Not that he delights to praise despotism, but that he wishes us to see that we have an antagonist whose power we must not venture to underrate. Why does he speak of “constitutional government being under a heavy trial”? Not that, for a moment, he seeks to decry constitutional government; but because he loves it, is devoted to it, partakes that trial which Is it any new thing to say that despotism is naturally strong in the field, and in the movements of great armies? From the days of Philip of Macedon, down, through those of Louis the Fourteenth, to the Empire of the First Napoleon, has it not been the object of great men in free countries so to consolidate free governments as to give them that force and unity which should enable them to meet the despot in the field upon something like equal terms—equal terms, not as regards men (for freemen always fight well), but as regards organization, which has so much to do with superiority in military affairs? "The fearful mischief of flattering a nation." Perhaps the greatest injury that men highly-placed can do their countrymen is to flatter them, and to hide from them any point of weakness that there may be in the nation. We smile at flattery when addressed to private persons, and think it no great harm; but it swells into a mischief of gigantic magnitude when addressed to a nation by those who enjoy its confidence. We have not far to look for instances "A view of the Prince’s character." It may, perhaps, be not unwelcome to the reader, and not inappropriate to the subject, that, as an addition to this Introduction, I should attempt to give some view of the character of the Prince, having had some opportunities of observing him closely during the last year or two of his life, and having since heard and carefully compared what those who knew him best could tell of him. Such an attempt to depict the Prince’s character may be useful to the future historian, who has to bring before himself some distinct image of each remarkable man he writes about, and who, for the most part, is furnished with only a superficial description, made up of the ordinary epithets It is a great advantage, in estimating any character, to have a clear idea of the aspect of the person whose character is drawn. There are, fortunately, many portraits of the Prince Consort which possess considerable merit; still there is something about almost every countenance which no portrait can adequately convey, and which must be left to description. "A description of the Prince’s personal appearance." The Prince had a noble presence. His carriage was erect: his figure betokened strength and activity; and his demeanour was dignified. He had a staid, earnest, thoughtful look when he was in a grave He was very handsome as a young man; but, as often happens with thoughtful men who go through a good deal, his face grew to be a finer face than the early portraits of him promised; and his countenance never assumed a nobler aspect, nor had more real beauty in it, than in the last year or two of his life. The character is written in the countenance, however difficult it may be to decipher; and in the Prince’s face there were none of those fatal lines which indicate craft or insincerity, greed or sensuality; but all was clear, open, pure-minded, and honest. Marks of thought, of care, of studiousness, were there; but they were accompanied by signs of a soul at peace with itself, and which was troubled chiefly by its love for others, and its solicitude for their welfare. "The quickness of his intellect." The next striking peculiarity about the Prince was his extreme quickness—intellectually speaking. He was one of those men who seem always to have all their powers of thought at hand, and all their knowledge readily producible. "His merits in conversa-tion." In serious conversation he was perhaps the first man of his day. He was a very sincere person in his way of talking; so that, when he spoke at all upon any subject, he never played with it: he never took one side of a question because the person he was conversing with had taken the other: and, in fact, earnest discussion was one of his greatest enjoyments. He was very patient "Fond of wit and humour." He delighted in wit and humour; and, in his narration of what was ludicrous, threw just so much of imitation into it as would enable you to bring the scene vividly before you, without at the same time making his imitation in the least degree ungraceful. "His love of freedom." There have been few men who have had a greater love of freedom, in its deepest and in its widest sense, than the Prince Consort. Indeed, in this respect he was even more English than the English themselves. "His sense of duty." A strong characteristic of the Prince’s mind was its sense of duty. He was sure to go rigidly through anything he had undertaken to do; and he was one of those few men into whose minds questions of self-interest never enter, or are absolutely ignored, when the paramount obligation of duty is presented to them. If he had been a sovereign prince, and, in a moment of peril, had adopted a form of constitution which was The Prince, as all know, was a man of many pursuits and of various accomplishments, with an ardent admiration for the "The Prince’s aversion to prejudice and intolerance." Another characteristic of the Prince (which is not always found in those who take a strict view of duty) was his strong aversion to anything like prejudice or intolerance. He loved to keep his own mind clear for the reception of new facts and arguments; and he rather expected that everybody else should do the same. His mind was eminently judicial; and it was never too late to bring him any new view, or fresh fact, which might be made to bear upon the ultimate decision which he would have to give upon the matter. To investigate carefully, weigh patiently, discuss dispassionately, and then, not swiftly, but after much turning over the question in his mind, "The Prince’s delight in the good deeds of other persons." There was one very rare quality to be noticed in the Prince,—that he had the greatest delight in anybody else saying a fine saying, or doing a great deed. He would rejoice over it, and talk about it, for days; and whether it was a thing nobly said or done by a little child, or by a veteran statesman, it gave him equal pleasure. He delighted in humanity doing well on any occasion and in any manner. This is surely very uncommon. We meet with people who can say fine sayings, and even do noble actions, but who are not very fond of dwelling upon the great sayings or noble deeds of other persons. But, indeed, throughout his career, the Prince was one of those who threw his life into other people’s lives, and lived in them. And never was there an instance of more unselfish and chivalrous devotion than that of his to his Consort-Sovereign and to his adopted country. That Her reign might be great and glorious; that his adopted country might excel in art, in science, in "The Prince’s love of his birthplace." This love of his adopted country did not prevent his being exceedingly attached to his birthplace and his native country. He would recur in the most touching manner, and with childlike joy, to all the reminiscences of his happy childhood. But, indeed, it is clear that, throughout his life, he became in a certain measure attached to every place where he dwelt. This is natural, as he always sought to improve the people and the place where he lived; and so, inevitably, he became attached to it and to them. A biographer who has some very beautiful character to describe, and who knows the unwillingness that there is in the world to accept, without much qualification, great praise of any human being, will almost be glad to have any small defect to note in The effect of this shyness was heightened by the rigid sincerity which marked the Prince’s character. There are some men who gain much popularity by always expressing in a hearty manner much more than they feel. They are “delighted” to see you; they “rejoice” to hear that your health is improving; and you, not caring to inquire how much substance there is behind these phrases, and not disinclined "The Prince’s tempera-ment." It is very difficult to describe a man’s temperament, especially when it is of a somewhat complex nature, as was that of the Prince. It was a buoyant, joyous, happy temperament. It made his home and his household glad. To use a common expression, but a forcible one, he was “the life and soul of the house.” Moreover, the Prince’s temperament was very equable, not subject to sudden elations or depressions. To illustrate, however, the complexity, before alluded to, of men’s temperaments—beneath this joyousness of the Prince, deep down in the character, there was a vein, not exactly of melancholy, but certainly of "A division of mankind into two classes." The writer of this Introduction has often, in his imagination, divided men into two great classes, which seem to him separated by a wide gulf of thought and feeling. The one class is, if it may be so expressed, on the side of humanity: the other is opposed or indifferent to it. This essential difference of character is not necessarily the effect or the concomitant of virtue or of vice, of hopefulness or despondency, of a love of justice or a proneness to injustice; and it has still less to do with any of the intellectual qualities. But it depends upon the presence or the absence of a large and loving nature, where the lovingness takes heed of all humanity. The Prince was pre-eminently one of the first class. He wished for success to all honest human endeavour. No love of criticism, no fondness for paradox, no desire to exalt his own opinion, made him waver in his yearning for the "His aversion to flattery." The Prince had a horror of flattery. I use the word “horror” advisedly. Dr. Johnson "His aversion to vice." He had the same feeling with regard to vice generally. Its presence depressed him, grieved him, horrified him. His tolerance allowed him to make excuses for the vices of individual men; but the evil itself he hated. "Low motives odious to him." What, however, was especially repugnant to the Prince was lowness. He could not bear men to be actuated by low motives. A remarkably unselfish man himself, he scarcely understood selfishness in others; and, when he recognized it, he felt an abhorrence for it. The conditions that the Prince drew up for the prize that is given by Her Majesty at Wellington College are very characteristic of him. This prize is not to be awarded to the most bookish boy, to the least faulty boy, to the boy who should be most precise, diligent, and prudent; but to the noblest boy, to the boy "The Prince’s religious feelings." The Prince was a deeply religious man, yet was entirely free from the faintest tinge of bigotry or sectarianism. His strong faith in the great truths of religion coexisted with a breadth of tolerance for other men struggling in their various ways to attain those truths. His views of Religion did not lead him to separate himself from other men; and in these high matters he rather sought to find unity in diversity, than to magnify small differences. Thus he endeavoured to associate himself with all earnest seekers after religious truth. "Some men acquire knowledge without loving it." It must have occurred to every observer of mankind to notice that there are persons who acquire knowledge without loving it. They have read all the noblest works in literature without being profoundly touched by any of them. They may be excellent classical scholars, and yet they do not seem to love their Horace or their Virgil. Their minds are not penetrated with a sense of the beauty of these authors. They do not see that an idea has been expressed once "The Prince’s care for the poorer classes." It was with a feeling similar to that expressed in the foregoing passage that the Prince would comment, for instance, upon an improvement in manufacture, as bearing, especially, upon the health and strength of the poorest classes. It was for “the relief of Man’s estate” that this amiable "How the Prince acquired knowledge." It is always a subject of interest to endeavour to find out how men who have been remarkable for knowledge have found time and opportunity, in this busy, anxious, hurried world, to acquire that knowledge. And in the case of the Prince it is especially difficult to answer the question. But the truth is, that, much as the Prince read books (and in early life he had been very studious), he read men and Nature more. He never gave a listless or half-awake attention to anything that he thought worth looking at, or to any person to whom he thought it worth while to listen. And to the observant man, who is always on the watch for general laws, the minutest objects contemplated by him are full of insight and instruction. In the Prince’s converse with men, he delighted at getting at what they knew best, and what they could do. He would always try to get from them the mystery of their craft; and, probably, after the Prince had had an interview with any person of intelligence, that "The Prince’s care for the labouring classes." If any man in England cared for the working classes, it was the Prince. He understood the great difficulty of the time as regards these classes; namely, the providing for them fitting habitations. He was a beneficent landlord; and his first care was to build good cottages for all the labouring men on his estates. He had entered into minute calculations as to the amount of illness which might be prevented amongst the poorer classes by a careful selection of the materials to be used in the building of their dwellings. In a word, he was tender, thoughtful, and anxious in his "What he sought for in Art." The Prince’s love of Art must be spoken of separately, for it was something peculiar to himself. He saw through Art into what, in its highest form, it expressed—the beautiful. He cared not so much for a close representation of the things of daily life, as for that ideal world which Art shadows forth, and interprets to mankind. Hence his love for many a picture which might not be a masterpiece of drawing or of colouring, but which had tenderness and reverence in it, and told of something that was remote from common life, and high and holy. Joined with this longing for an interpretation of the ideal, there was in the Prince a love of Art for itself—a pleasure in the skilful execution of a design, whether executed by himself or others. He was no "Skill in organization." Again, there was the Prince’s skill in organization, that almost amounted to an art, which he showed in all the work he touched, and in everything he advised upon. It may, therefore, justly be said that the Prince approached the highest realms of Art in various ways, which are seldom combined in any one person: in his fondness for what is romantic and ideal, in his love of skill and handicraft, and in his uniform desire for masterly organization. "What the Prince did for agri-culture." In distinguishing the various branches of Art which the Prince devoted himself to, and loved to further, Agriculture must be particularly mentioned, not only on account of the great interest he took in it, and of "The Prince too much interested in too many things." It has been said that, if we knew any man’s life intimately, there would be some great and peculiar moral to be derived from it—some tendency to be noted, which other men, observing it in his career, might seek to correct in themselves. I cannot help thinking that I see what may be the moral to be derived from a study of the Prince’s life. It is one which applies only to a few amongst the highest natures; and, simply stated, it is this—that he cared too much about too many things. "His craving for perfection." Moreover, everything in which he was concerned must be done supremely well if it was to please and satisfy him. The great German, Goethe, had the same defect, or "Strain upon the health." Now men of this nature, with an abiding aspiration towards what is beautiful, and such an inordinate appreciation of what is reasonable, require also to have an extraordinary stock of health, 1.And the Prince had very good health. At any rate he had begun with a fine constitution. Every one of the chief organs of life was well developed in him, with the exception of a heart that was not quite equal to the work put upon it; so that he mostly had but a feeble pulse. It was upon the nervous energy that this constant stress of work, and this striving after excellence in everything, must have told, as such demands do tell upon all men of that high nature. It may here be well to remind the reader that the Prince was only forty-two years of age when he died; and that the sagacity and prudence for which he gained a just So subtly are men constituted, and so difficult is it, even from a careful enumeration One gift that the Prince possessed, which The one of his children who was most capable of judging of what his conduct had been to all his children as a father and a friend, speaks thus of him:— “But in no relation of life did the goodness and greatness of his character appear more than in the management of his children. The most judicious, impartial, and loving of fathers, he was at once the friend and master, ever by his example enforcing the precepts he sought to instil.” To follow out his wishes—to realize his hopes—to conduct his enterprizes to a happy issue—to make his loss as little felt as possible by a sorrowing country and fatherless children:—these are the objects which, since his death, it has been the "How the Prince was mourned for." It is a matter of history that, at the untimely end of the Prince, the sorrow of the whole nation went with him to his grave. That was due to his great public qualities: but, within a narrower circle, the endearing qualities of his nature called forth a deeper anguish and a more abiding affliction. Never was there a man more mourned by his family, by his friends, by those of his household, and by all persons who had come into contact or connection with him. This is perhaps the most favourable trait, the most undeniable proof of goodness and of greatness of heart, that can be brought NOTE. It must be obvious to the reader of this Introduction that the writer has received the most valuable and important aid from those who, by their constant intercourse with the Prince Consort, could best appreciate the high qualities which shone forth in his domestic life—from persons in the Royal Household who saw him daily—from Members of the Royal Family—and especially from the Queen Herself. To Her Majesty the writer is indebted for a view of the Prince’s character in which a loving and profound appreciation is combined with the most earnest desire for exact truth and faithfulness. There is not any one who could have been cognizant of all the various traits of the Prince enumerated in this Introduction, unless he had been instructed by Her, who alone saw, with the full light of a complete affection, into the whole beauty and merit of the character of this remarkable Man. London, October, 1862. |