The next effort to make a craftsman of me was in my tenth year. I was put under the hands of a mill-wright. He set up the machinery of saw and grist mills and repaired them when out of order. He had a saw mill and shingle mill of his own, but he was often away from home, especially in winter, and then I ran the saw mill alone. Its machinery was old fashioned and now obsolete, an upright saw, a carriage for the logs somewhat like that now in use, but much heavier and more clumsy. To set the logs to the required width of boards or other lumber we used inch rules, a bar made on purpose for the work and dogs to hold the logs in place. The power was water turned upon the floats of a large wheel. No large timber was left in the neighborhood, otherwise a boy of ten could not have run the mill alone; but with a cant-hook I could usually manage to roll the log upon the carriage and put it in position. We ran off the slabs first and these were the perquisites of the mill owner. They were used in his own family and some were sold or given to poor widows and others. The saw mill was run only in winter time; the water of the mill pond was drawn off in early spring, and where it had flooded the land, grass grew in summer. While the log was running through the saw, it was my never ending delight to lean out of an opening in the side of the mill and watch the tailrace rush from under the building. All winter I looked forward to the day when the great gates of the dam would be raised and the pond disappear in a few hours. I cannot exactly describe the feeling with which, after a few days of sunshine, I walked over the ground where the water had stood; a strange commingling of awe and curiosity, especially as I threaded the now dry, narrow and deep canal, which led the water of the pond to the mill. There I often walked just to enjoy in imagination the thought, what if the water should suddenly come pouring down upon me! I even selected the best places to escape up the rough stone walls of the canal. All my boyhood I enjoyed thrilling imaginary perils, and the planning means of escape. The walls of this canal were made of irregular stones from the field. Alternately wet and dry they had taken on beautiful colors, variegated according to the character of the stone, and between them in summer, and quite covering them in places, grew many kinds of wild flowers, mosses and ferns, and, most splendid of all, the cardinal flower. The canal was always damp, and a few frogs and green snakes made it their summer home. Do not imagine I made any such observations as these at the time, least of all that I then knew the cardinal flower by its correct name. I saw, I felt, I dreamed; now I remember and know a little more. I lacked the right name and reason for most things, but knowing nothing, I named everything after my own fancy and found the creation as good and sweet as the Creator at the end of his week's work. Every boy is a new Adam, and christens the world of his senses in the most primitive figure of language, metonomy.

The terms of my apprenticeship included a new suit of clothes each year, and that I should be sent to school in the summer. The clothes were never forthcoming and my mother had to furnish them. My master gave me my boots for winter and shoes for summer, but I went barefooted seven months of the year. This was no hardship. How I hated to wear shoes on the only day when it was compulsory, Sunday. It cost me tears to learn to tie a double bow knot with my shoestring, as my master insisted upon my doing, and this was the only thing during my apprenticeship that he took pains to teach me—to tie a shoestring. He was a silent, self-absorbed man with a stern manner, a square set jaw, wide mouth and ponderous ears. He was very fond of his two little girls, three and four years old; but he never had a kind word for me. However, he was not peculiar in this respect. Boys were not cosseted in those days, but made to feel the rod and keep their place. It seems to me now that I must have been to him a necessary nuisance, tolerated for what service I could render, yet I was not unhappy. My mother lived across the road and I could see her every day. I had some time for play; the mills, the tools, the dam and canals interested me and beyond all, I fished to my heart's content. There was an old mongrel dog at my heels wherever I went, and together we hunted woodchucks and squirrels without a gun. In the evening, by the stove, he still hunted them in his dreams, whimpering and barking as soon as he was sound asleep, and I myself often had the same dream when I had been unusually excited by the sport. In the autumn I set snares for partridges which I sold to the Boston stage drivers for nine-pence apiece. Well do I remember the high hope with which I entered the silent wood in early morning to examine my snares, the exhilaration when I found a poor partridge in the noose, limp and dead, with a white film drawn over her eyes. Pity for bird or beast or human beings was an unknown feeling then: I liked to torment such life as I had power over, to see it suffer. The sale of partridges furnished me with considerable spending money; for what I spent it, I know not. I am only certain I did not hoard it, as I have never found any ancient silver pieces in my purse or pockets. I can think of no more entertaining account book than one which should show the acquisition and outlay of a boy's money; his financial statement from his fifth to his fifteenth year. I should like to audit such an account and, however, it came out I would agree to find it correctly cast, balanced and properly vouched; for a boy always gets his money's worth and thinks he has what he wants. In his trades with other boys, money seldom plays any part, and the little swindler always believes he has got the best of the bargain. And why? Because he has what he coveted, and what was another's. Somehow the other fellow's knife is a little better than his own, it is three blades to his two. When he finds the cheat he has only to swap again. In this way I traded a dozen times in one summer and came out with one blade, but a bright brass haft.

By this time I could read and even imitate the copies set in the writing books. This, however, was not the real method by which I had learned to use the pen or rather pencil. Much more skill was acquired in little notes to Launa Probana during school hours, passed furtively under the desks and benches or hidden in a book which I was suddenly anxious to borrow or lend. What nothings we wrote! With what pains and searchings of the brain for words! Still I filled my bit of paper while Launa wrote only three words, yet her name signed in the tiniest letters satisfied me. With that name in my vest pocket I felt her near me, fixed my attention upon my book again, and learned my lessons more easily. I was conscious that she watched all my movements out of the corner of her eye, and at recitations it was she, who, when I hesitated and was lost, bending her head down so as not to be observed by the teacher, whispered softly the right word and saved me from shame. Thus in a thousand ways she repaid the boy's devotion, and however out-spelt or out-grammared he might be, where he stood, was for her the head of the class. What lessons we learned, not in any book nor taught by any teacher! After a year or two more of winter saw-mill and summer school my teacher thought I was old enough to write compositions, an exercise usual in all New England common schools. Long before this I thought myself competent and was ambitious to begin. It seemed too much a school exercise to be undertaken out of it. I saw the older pupils on appointed afternoons stand up in their places and read from their slates the compositions they had written. It fired my ambition beyond any of the other exercises or lessons. It seemed to me the very pinnacle of greatness to stand up and read a composition before the whole school. How I labored over my first little essay, not being able to think of anything, or to find language; how I began without any real beginning sentences that had no end; how I strung together words without connection or sense, how the whole school tittered and made faces as I read, how I sat down flushed, trembling, completely overwhelmed with mortification, it pains me even to remember. What would Launa care for me now! Without seeming to notice her I looked over to where she sat and saw that she was weeping. I did not speak to her for a whole week. Thus I punished myself, and all the week pondered how I could write something which should make her again proud of me and reinstate myself with my teacher and schoolmates. Suddenly it occurred to me that next time I would choose a subject of which I knew something. Wonderful discovery, which has been of use to me ever since; a bit as well as reins—this is the reason why I have not been a prolific writer. Between one book and the next I am totally forgotten. I found also thus early that one needs a muse. I had made a blunder in not taking Launa into my counsels, say rather into my mind, for I had never once thought of her while writing, nor that she would be my audience. No, I thought only of myself, and the distinction I should win all for myself. Thus experienced, I did not repeat my mistake. When we were next called upon for compositions, I coaxed Launa to go with me at the nooning to the shade of the old blacksmith shop, where I proposed that we should write them together. There sentence by sentence I made my little essay, covering one side of my slate, with Launa for inspirer and critic. My subject was the saw-mill, that one I knew best. There was a pricking of ears in the school-room when I named my humble subject, and an elder boy by my side whispered, "Now, give us some sawdust." I prospered this time and won a smile from Launa. Had I helped her at all in her own composition? I know not; yet when she read, it seemed to me I had written it myself. Such has always been my experience in regard to writing which I have admired, and thought I could do as well—until I tried.

Thus passed two happy summers and two lonely impatient winters; then I was ill with a fever and came to the doors of death. I never resumed my apprenticeship to the mill-wright. For some years succeeding my illness I suffered from periodical sick headache which, before and after, was accompanied by a dreadful depression, an indescribable apathy, a distaste for food, for play, for everything: I wished myself dead. My mother and sisters were very tender to me at this time; they amused me, they petted me, and in the evening read to me stories out of Merry's Museum and from the school readers. It was at this time I was sent on a visit to Boston, perhaps for my health and spirits. I say sent, for I went alone in a stage coach the thirty miles. Much preparation was made for my journey and many letters passed to relatives in Boston concerning it. I had a new cloak lined with bright red flannel, home-made, and a cap with an extremely flat crown and a tassel that fell upon my shoulder. These were the first articles of clothing that made me feel that everybody was looking at me, a feeling something between vanity and embarrassment. My cousin met me in Boston at the stage office and took me to his house in the old West End, at that time the residence of the respectable middle class, with here and there some more wealthy citizens. There were a few shops at the corners of the streets; but I did not venture beyond the street where my cousin lived and saw nothing at all of the city. I was taken to church on Sunday and once to the Museum, where I saw the elder Booth in Shylock. The only scene that made an impression upon me was that where Shylock is about to take his pound of flesh. He squatted upon the floor, his wild and terrible face turned directly upon me, as it seemed, while he sharpened his knife upon his rusty shoe. I was filled with terror and began to cry and begged to be taken away. Quite angry, yet pitying me, too, I suppose, my cousin led me out and home where I went at once to bed, covering my head tightly, unable to sleep for apprehension lest I should be discovered by Shylock. At the Players' Club, in New York City, in the last winter of Edwin Booth's life, I related this incident to him as a childish tribute to his father's power. "Yes," he said, "that was my father, and such things often happened among women and children when he was playing that character. He was dangerous at times, not to his audiences, but occasionally to his fellow actors."

I returned from Boston not much wiser nor more travelled than when I went. I found nothing there that gave me so much pleasure as the freedom of my own field, my sports and my companions. When asked what I had seen, what I had done, I candidly confessed, nothing; yet among boys I did feel a certain pride because I was the only one among them who had been to Boston. And I have found the result of nearly all travel is little more than the cheap avenue to conversation between those who have travelled over the same ground, or the feeling of superiority that one has wandered farther.

Although I was more active and restless than most boys, ever longing, yet with no definite object, I believe I should always have remained in the place of my birth, except for family exigencies, for I had no ambitions, no special talent nor practical faculty. When I reflect on the futility of literature without genius, or the miserly rewards of scholarship, or the disastrous conclusion in a majority of business enterprises, I confess the life of a New England farmer is to be preferred. It was so ordered that opportunities, which I never could have made for myself, came to me unsought and without effort. Such education as I have, a miscellany of odds and ends of learning, and such things as I have accomplished, are the chance results of various and disconnected impulses; and God himself has given me my beautiful friends. I have found them waiting for me all along my path, and their attachment has always filled me with astonishment and gratitude; for I cannot think it is anything I have done that should deserve it. So I relegate it to that indefinable, unconscious self which is hidden from our own knowledge. On the whole, who is he, that would not rather be loved for himself than for his book, his horses or his honors? He, who is capable of friendship, and inspires it, is happier than Alexander with worlds conquered and to be conquered.

After much counselling and agitating of the change, my mother moved from Bellingham, which was her native place, to Hopkinton; and, from this time forth to the end of her life, she continued to change her residence from town to town as work, cheaper rent, or the persuasion of friends induced her. My eldest sister and I went with her. The change filled me with a pleasant excitement, although we were going to the same place and the very same house where I had suffered so much from home-sickness. I did not then know that in leaving my birthplace I left behind me the fountain head of half my later musings, regrets and imaginings. In returning now, I find naught but the graves of my family, the elm of my childhood, fallen to the ground, its bleached trunk and larger limbs reminding me of a skeleton, the well filled with stones, and the Red House converted into a woodshed. The river still flows by; one great pine still murmurs and wonders what has become of the children once playing in its shade; the pond, the arched bridge which spanned its outflow are unchanged. And Launa, I fear to inquire what has become of her, though I never lost her. She followed and reappeared in all my wanderings.