INDEX

Previous
274 note
  • Baltic, the, i. 205 note, 362; iii. 84 note
  • Bamburgh Castle Library, i. 147 note
  • "Band of Lovers, the," iii. 33
  • Banister, John, i. 301:
  • violinist of Drury Lane, iv. 139 and note
  • Bank, the, of England, iii. 55:
  • founding of, iv. 3 note, 132
  • Banks, John, his Earl of Essex, i. 125
  • Banquet of Trimalchio, by Petronius Arbiter, ii. 14 and note
  • Banqueting House at Whitehall, iii. 296
  • Barbadoes, the, i. 235 note
  • Barbers, their foolish desire to do everything, i. 282
  • Barbican, i. 334
  • Barcelona, i. 50, 72, 94, 95, 182, 213; ii. 19:
  • snuff, ii. 309, 352
  • ---- the most esteemed of women, ii. 46
  • Barebones, Lovewell, his sorrows, ii. 196, 197
  • Barn Elms, i. 258 note
  • Barnard, Thomas, his Character of Lady Elizabeth Hastings, i. 343 note
  • Barnes, Joshua, Greek Professor at Cambridge, his edition of Homer, iii. 159 and note, 160 and note:
  • "Knew as much Greek as a Greek cobbler," iii. 160 note
  • Barry, Mrs., some notice of, i. 15 note, 16 note:
  • acts before the Queen, i. 16 note:
  • requested to act as I. B.'s widow, i. 67:
  • referred to, iii. 282 note
  • ---- Edward, father to Mrs. Barry, i. 15 note
  • Barrymore, Earl of, i. 150
  • Bartholomew babies, ii. 313 note
  • Bartholomew Fair, by Ben Jonson, i. 280 note
  • Bartholomew Fair, i. 42 note
  • ---- Lane, ii. 15 note
  • Bart'lemy Fair; or, An Enquiry after Wit, by Mr. Wotton, by Mrs. Astell, i. 265 note, 266 note
  • Bartlet, John, of Goodman's Fields, quack, iv. 148 and note
  • Bartlet, Christopher, the late, iv. 148 note
  • ---- S., quack, iv. 148 note
  • Bartolus, Lawyer, in Beaumont and Fletcher's Spanish Curate, iv. 199
  • Basset Table, The, by Pope, iv. 337 note
  • Bastile, the, i. 218; iii. 336
  • Bateman, of the City (Paulo), i. 211 and note
  • Bath, some account of, i. 138 seq.:
  • origin of the word Toast, i. 202 seq.:
  • complaint of the sharpers at, ii. 114 seq.:
  • referred to, i. 360, 361 note, 365; ii. 111 note, 205, 378; iv. 189
  • Bathillus, an affected creature, ii. 17
  • Battle critic, a, ii. 112, 113; iii. 379
  • Bavaria, i. 269
  • ---- Duke of, ii. 134
  • ---- Elector of, i. 144, 184, 299; ii. 322; iii. 83 note, 333
  • Bavius, writer of rejected comedies, ii. 291, 292
  • ---- iv. 235
  • Bay, Marquis de, i. 73, 88, 106, 149, 261
  • Bayes, in The Rehearsal, i. 63 and note; iv. 7, 309 note
  • Bayle's Dictionary, iv. 22 note
  • Bayne, Alexander, ii. 244 and note;
  • a letter from, on the Beauties of the Royal Exchange, iii. 169, 170
  • Bayonne, i. 51, 73; iv. 158
  • Beadlestaff, Ben, letter from, i. 366 seq.; ii. 165, 166
  • "Bear," to sell the, i. 307, 308
  • ---- -garden in "Hockley in the Hole," i. 234 and note, 256
  • ---- the, at the Bridge Foot, iii. 147
  • Bearskin, The Tatler's, i. 65 and note
  • Beatrice, Mrs., iv. 313
  • Beaufort Buildings, i. 229 note; ii. 298, 309, 323, 351, 359; iii. 71 note, 129
  • Beaufort, Henry, first Duke of, ii. 35 note
  • Beaumont and Fletcher, ii. 281: their Maid's Tragedy, iii. 279 note:
  • a comedy of theirs adapted by Buckingham, iii. 400 note:
  • The Spanish Curate, iv. 199
  • Beauty, its influence on every temper, i. 91:
  • how far should it be considered by women, ii. 85 seq.:
  • made a new test of character by the Mirror of Truth, ii. 355 seq.:
  • how to make it last, ii. 368 seq.:
  • the birth of, ii. 283 seq.
  • Beaux' Stratagem, by Farquhar, i. 36 and note
  • Becket, Thomas À, i. 103, 214 note
  • Bedford Street, i. 219 note
  • Bedlam (or Bethlem) Hospital, referred to, i. 247 and note, 318; ii. 15; iii. 62, 63, 64, 73, 134, 318, 336, 377; iii. 314 note:
  • see Moorfields
  • Bedstaff, Ephraim, letter from, i. 179-181
  • Beech Lane, i. 335
  • Beef, defence of, iii. 179 seq., 257
  • Beefeaters, the order of, iii. 180
  • Beefsteak Club, i. 169
  • Beggar's Opera, by Gay, i. 234 note
  • Belgrave Square, i. 280 note
  • Belial, his talk, iii. 103 and note
  • Belinda (i.e. Mary, daughter of Baron Spanheim), an old lady on "Birth," iii. 76
  • Bell Yard, iii. 147
  • Bellfrey, Tom (Dr. Blackall), his voice, i. 302:
  • referred to, i. 300 and note, 301
  • Bellianis, Don, of Greece, ii. 315; iii. 81
  • Bellum Grammatical, iv. 196 note
  • Belvidera in Venice Preserved, i. 16 note
  • ---- a beauty without affectation, iii. 66 seq.
  • "Ben" in Congreve's Love for Love, created by Doggett, i. 17 note
  • Bender, ii. 47 note; iii. 219, 247; iv. 186, 187 note
  • Benjamin, iv. 191
  • Bennet, Madam, a notorious character, ii. 246 and note
  • Ben's Club, ii. 215
  • Benskin, Will, overseer, ii. 43 note
  • Bentivolio (i.e. Dr. Bentley), i. 66 and note
  • Bentley, Dr. Richard (Bentivolio), i. 66 and note:
  • on Barnes' "Homer," iii. 160 and note
  • Berg, i. 174
  • Berkeley, i. 343 note:
  • Earl of, i. 137 and note
  • Berlin, letters from, i. 27, 72, 129, 236, 304; ii. 47: 381
  • Buckley, Sam, printer of London Gazette, &c., i. 157 note
  • Budgell, Dr. Gilbert, iii. 389 note
  • ---- Eustace, his son, iii. 275 not berg@html@files@49009@49009-h@49009-h-40.htm.html#Page_176" class="pginternal">176
  • Courtier, a letter from a, ii. 207
  • Courtley, Will, a model of breeding, i. 250
  • Courtly, Lady, a fine talker, ii. 93 seq.
  • ---- Tom, the pink of courtesy, iv. 57
  • Courtray, i. 73, 88, 229, 237
  • Courts, their effect on character, iii. 259 seq.
  • Courtwood, Mrs., her visiting list, ii. 397
  • Covent Garden, i. 42 note, 355, 373; iii. 299 and note, 336:
  • iv. 327 note, 335 note
  • Coventry, Earl of, i. 42 note
  • Coverley, the Roger de, i. 158 note; iv. 342 note
  • Covetous man, a mad man, iii. 65
  • Cowley as a critic, iv. 199:
  • quoted, iv. 278
  • Cowper, his John Gilpin, i. 232 note
  • ---- Spencer, Judge of Common Pleas, i. 317 and note
  • ---- William Lord, Baron of Wingham, vol. iii. dedicated to, iii. 1 and note, 90
  • Coxcomb, a, his goods sold by auction, ii. 401, 402, 416 seq.
  • Coxcombs, a new kind of, ii. 61, 70:
  • allowed to retain their fashions, ii. 320 seq., 359 seq.:
  • concerning various, i. 309 seq.:
  • men saved from being, iv. 24:
  • a fool of parts, iv. 77:
  • the worst kind—professed wits, iv. 124 seq.
  • Crabtree, Captain, haberdasher, i. 232, 233
  • ---- the, iii. 385
  • "Crack, a," iii. 332 and note
  • "Crackers," &c., ii. 272; iii. 258
  • Craftsman, The, iv. 195 note
  • Crassau, General, i. 71, 204
  • Crassus, Maria's wealthy suitor, ii. 286 seq.:
  • his woods and forests, iii. 355
  • Crawley, his show, i. 140 note
  • Cream, beautifying, iv. 153 and note
  • "Creation of the World," a puppet-show, i. 140 and note
  • Cressy won on beef and mutton, iii. 179
  • Cripplegate, i. 335 note
  • Critic, a, character of, i. 241 seq.; iii. 269 seq.:
  • sort of Puritan in the polite world, i. 242
  • Critical Specimen, The, iii. 249 note
  • Cromwell, Henry (Sir Jaffety Trippet, the fortune hunter; Squire Easy, the amorous bard; Sir Timothy Tittle, the critic; and (?) Tom Spindle), i. 380 note and seq., iii. 263 note, 270 seq.
  • ---- Oliver, i. 153 note, 179 note; ii. 14 and note, 279; iv. 268:
  • his coins, iv. 249 and note, 269 note
  • Crooked Lane, i. 275
  • Cross, Thomas, ii. 275
  • Cross-grain, Nick, a writer of anagrams, ii. 65
  • Cross-stitch, Mrs. Catherine, inventor of a new fashion in petticoats, ii. 418
  • Crowdero in Hudibras, i. 377
  • Crowley, Sir Ambrose (Sir Arthur de Bradley), ii. 179 and note
  • Crown and Cushion, the, iii. 299 note
  • ---- Coffee house, i. 293 note
  • Crowther, Colonel Thomas, i. 146 note and seq.:
  • verses by, i. 377 note
  • Cudgels not of the family of Staffs, i. 104
  • Culverin (or Gun) of Wapping, i. 200, 201 and note
  • Cunning condemned, i. 8
  • Cupid, i. 46, 225, 395; iii. 36, 78; iv. 223, 250:
  • a perverse, iv. 321, 322
  • ---- a dog, iii. 39 seq.
  • Curatii, i. 319
  • Curll, i. 15 note
  • Curtius, Quintus, quoted, i. 74; iv. 80 seq.
  • Custom, force of, i. 239, 240
  • ---- House, i. 390
  • Cutter, a sharper, ii. 177
  • Cutts, Lord, his verses quoted, i. 47 and note:
  • referred to, i. vii
  • Cyder, by John Philips, iii. 23 note; iv. 270 note
  • Cymon, a young fellow grown sprightly, ii. 22
  • Cynthia, a coquette, ii. 382 seq.
  • Cynthio (i.e. Viscount Hinchinbroke), the story of, i. 14, 15 and note:
  • absorbed by passion for a lady who passed his window in a coach, i. 14, 15:
  • the only true lover of the age, i. 47 and note:
  • on love, i. 184 seq.:
  • a letter from his mistress, i. 186 seq.:
  • gives up Clarissa, his letter to Elizabeth Popham (i.e. Steele's to Prue), i. 286, 287:
  • his passion for Clarissa, ii. 62 seq.:
  • his reflections on the story of Scipio, ii. 64:
  • his death and epitaph, ii. 255, 256
  • Referred to, i. 47, 48
  • Cyrus the Great, i. 345, 358
  • Czar, the, ii. 47 and note, 67; iii. 336
  • Dacier, the critic, iii. 272; iv. 139
  • Dactile, Little Mr. Jasper, at work on a poem of advice to a young virgin who knits, i. 34, 35:
  • a wit, i. 243:
  • on ridicule, ii. 100 seq.
  • Daily Courant, i. 36 note, 157 note, 159 and note, 293 note; ii. 42 note, 182 note, 211 note; iii. 220, 277 note, 335; iv. 150 note, 152 note, 154 note
  • Daintry, innkeeper, i. 156 note
  • Dainty, Lady, refuses to eat, ii. 201
  • ---- Dame Winifred, her reputation, iv. 318
  • ---- Richard, husband of Dame Winifred, iv. 318
  • ---- of Soho, i. 302
  • Dale, Will, churchwarden, ii. 43 note
  • Damasippus, a victim of va
  • Dyctinna, a country beauty, iv. 262, 263
  • Dyer's Letter, i. 158 and note; ii. 261; iv. 103
  • Eachard, Dr. John, his Contempt of the Clergy and Religion Inquired into, ii. 143 note:
  • referred to, iv. 294 note
  • Earl of Essex, a play by John Banks, i. 125 and note
  • Earl's Court, iii. 302
  • Early hours, in praise of, iv. 336 note and seq.
  • East India Company founded, iv. 3 note
  • ---- Indies, iii; 154 iv. 204 note
  • Easy, Dick (? Henry Cromwell), his ambition to be a poet, i. 380 note; iii. 263
  • ---- Lady, her visiting on the wrong days, ii. 397
  • ---- Sir Charles, in Careless Husband, iii. 357 note
  • Eaters, the, distinguished from swallowers, iv. 61
  • Eaton Square, i. 280 note
  • Ebenezer, an ill-used lover, iv. 365 seq.
  • Eboracensis (i.e. Robert Hunter), a wise governor, ii. 145 seq.
  • Ecclesiastical thermometer, iv. 128 seq.
  • Edgeworth, Miss, her Castle Rackrent, iv. 261 note
  • Edgworth, Colonel Ambrose, a dandy, iv. 254 and note
  • Edinburgh, fops in, iii. 165: referred to, iv. 260, 382, 383
  • ---- reprint of Tatler, iv. 382
  • Editions, beautiful, dying out, ii. 351
  • Edward, Prince, ii. 285
  • ---- IV., his sons, ii. 285
  • Egerton, his Memoirs of Gamesters, ii. 14 note, 178 note
  • Eitherside, Bridget, a letter from, ii. 147
  • Elector, the, ii. 73
  • ---- Palatine, i. 183
  • Electuary, an, iv. 150 and note, 353 and note
  • Eleonora would conceal her grey hairs, ii. 131
  • Elizabeth, Queen, a speech by, quoted, ii. 180;
  • her maids of honour allowed three rumps of beef at breakfast, iii. 180
  • Referred to, iii. 149; iv. 103, 180, 266, 267, 305
  • ----, Mrs., her youth, iii. 319
  • Elliot, Mr., of St. James's Coffee-house, scheme to keep the lottery, iv. 43;
  • referred to, iv. 48, 52, 72
  • Elmira, a faithful spouse, ii. 27 seq.
  • Eloquence and graceful action, ii. 118 seq.
  • Elow Oh Kaom, Iroquois Chief of River Sachem and the Ganajohhom Sachem, iii. 299 note, 301
  • Elpenor among the shades, iii. 200
  • Elscrikius, Dr. Johannes, Professor in Anatomy, iv. 112
  • Elstob, Elizabeth, author of Anglo-Saxon Grammar, ii. 104 and note
  • Elvas, i. 106, 150
  • Elysian Fields, i. 77, 78
  • Elysium, ii. 308; iii. 216, 226
  • Elzevir, ii. 218, 347 note; iii. 234, 249
  • Emilia, a letter from, ii. 55:
  • a town wit not appreciated in the country, ii. 56 seq.
  • Emma, Queen, ii. 104
  • Emmanuel College, iii. 160 note
  • Emperor, the German, i. 54 note, 70, 72, 95, 145, 174; iv. 148
  • "Empire of Beauty," an essay contemplated by I. B., i. 90 seq.
  • Empty, Tom, iii. 154
  • Encheiridion of Epictetus, ii. 145
  • Enfield Chase, iv. 261
  • England, papers published for the use of the people of, i. 11:
  • duels in, conducted with good breeding, i 235:
  • mixed blood in, ii. 193:
  • referred to, iii. 335, 337
  • ---- Sir George, on the victory at Malplaquet, ii. 113, 114
  • English, the, love blood in their sport, iii. 113 and note:
  • character of, iv. 97 seq.
  • English Grammar, an, by M. Maittaire, iv. 196 note
  • English Mirror, The, by George Whetstone, i. 340
  • English Post, The, iii. 220
  • English Rudiments of Grammar for the Anglo-Saxon Tongue, ii. 104 and note
  • Entellus, i. 257
  • Entertainment, articles of, under White's Chocolate-house, i. 12:
  • means of, will never fail The Tatler, i. 14
  • Envious man, a madman, iii. 65
  • Envy, its cause and cure, iv. 163 seq.
  • Epaminondas, ii. 223 note
  • Epicene gender, the, i. 225
  • ---- (Mrs. Manley), her Memoirs from the Mediterranean, ii. 104:
  • her Secret Memoirs and Manners of Several Persons of Quality of both Sexes, from the New Atalantis, and her Memoirs of Europe towards the close of the Eighth Century, ii. 104 note
  • Epictetus, his Encheiridion, ii. 145:
  • referred to, iii. 346; iv. 363
  • Epicurus, iv. 21
  • Epistles of Phalaris, the controversy on, i. 66 note< ub1">referred to, ii. 50 seq., 159 seq.; iii. 256.
  • See also Dogs and Sharpers
  • Gantlett, old, iii. 101, 102
  • Gardening, strange terms of, iv. 120, 121
  • Garraway's Coffee-house in Cornhill, i. 137 and note; iii. 178, 352 and note; iv. 184, 300
  • Garth, Dr. (? Hippocrates), his Dispensary quoted, i. 127 note; ii. 208 and note, 376; iv. 222
  • Garway, Thomas, founder of Garraway's, i. 387 note
  • Gascar the painter, i. 32 note
  • Gascoigne, George, his The Glass of Government, ii. 264 note
  • Gascon of quality, a, his undoing, iii. 69 seq.
  • Gastrel, friend of Swift, iv. 294 note
  • Gatty, Mrs., a famous toast, i. 203; ii. 22
  • Gay, John, his Present State of Wit, an account of Steele's influence, i. xvi, xvii, xviii:
  • his Beggar's Opera, i. 234 note:
  • his Trivia, i. 234 note, 327 note; ii. 204 note; iii. 102 note:
  • his Mr. Pope's Welcome from Greece, i. 380 note:
  • on the Fan, ii. 21 note:
  • his Shepherd's Week, iv. 250 note, 344 note
  • Gazette, The, iv. 85 note, 148
  • Gazette À la Mode; or, Tom Brown's Ghost, iv. 172 and note
  • General Postscript, The, ii. 247 note, 290 note
  • Geneva, i. 50, 76:
  • the lake of, iii. 251
  • Genius, men of, to be esteemed as considerable agents in the world, i. 12:
  • defined, i. 54 note
  • Genoa, i. 35, 60, 76; ii. 200
  • Genteel Conversation, by Swift, iii. 100 note
  • Gentle, Patience, iv. 374
  • Gentleman, an English, a prey to gamesters, i. 6:
  • defined, i. 175 seq.:
  • the history of a pretty, i. 14, (see Cynthio):
  • the difficulty of becoming a fine, ii. 122 seq.:
  • any one may be a, iv. 72
  • Gentleman's Journal i. x; ii. 134 and note
  • Gentlemen's Magazine i. 211 note, 343 note, 358 note
  • George I., i. 39 note, 42 note; ii. 1 note, 35 note, 42 note; iii. 1 note; iv. 85 note
  • ---- Prince of Denmark, a vision of, i. 78, 79:
  • death of, ii. 164 note:
  • long mourning for, i. 79 note; iii. 194 and note:
  • referred to, i. viii
  • George Court, i. 219 note
  • "George and the Dragon" at Billingsgate, ii. 176
  • Gerhumhena, i. 261
  • Germany, i. 158, 354; ii. 73; iv. 271, 322, 325:
  • a waxwork of English religions in, iv. 303 seq.
  • Gertruydenberg, iii. 123, 318
  • Ghent, i. 20, 28, 43, 73, 77, 78, 144, 205, 214, 229; ii. 90, 91, 158; iii. 162 note, 163 note
  • Giddy, Mistress, pretty company, i. 260
  • Gildon, his Comparison between Two Stages, ii. 334 note:
  • ? author of Life of Betterton, iii. 279 note:
  • quoted, i. 42 note, 67 note
  • Gimball, Anne, born blind, iv. 379, 380
  • ---- Ezekiel, father of Anne, iv. 379, 380
  • Gimcrack, Sir Nicholas, a virtuoso, his will, iv. 112, 113, 133
  • ---- Lady, widow of Sir Nicholas, iv. 134 seq.
  • GingivistÆ, or tooth-drawers, i. 281 and note
  • Gladiators, i. 256
  • Glare, Will, the self-conscious man, iii. 131
  • Glass of Government, The, by George Gascoigne, ii. 264 note
  • Globe, this, not trodden upon merely by business drudges, i. 12:
  • interesting news from, i. 12
  • ---- the sign of the, iii. 24
  • Goathan, petition from the inhabitants of, iii. 149
  • Goddard, Dr. Jonathan, physician to Cromwell, i. 179 and note
  • Godolphin, Sidney, Lord (Horatio), i. 7 note, 45 and note
  • Goes, Count de, i. 61, 95
  • Golden Ball in Goodman's Fields, iv. 148 note
  • ---- Buck, the, iv. 379
  • ---- Comb, the, iv. 382
  • ---- Cupid in Piccadilly, the, iv. 148 note
  • ---- Half Moon, iv. 150 note
  • ---- Head, iv. 150 note
  • ---- Key, iv. 152
  • ---- Lion, the, near St. George's Church, i. 140 note:
  • near St. Paul's Church, iii. 133 note
  • ---- Pen, the, iv. 329 note
  • ---- Sug al Essays, by Forster, ii. 315 note, 349 note, 423 note
  • History and poetry compared, ii. 392, 393
  • History of England in Eighteenth Century, by Lecky, iii. 112 note; iv. 294 note
  • History of Hannibal and Hanno, &c., by Arthur Maynwaring, iii. 379 note
  • History of his Own Time, by Bishop Burnet, ii. 294 note
  • History of Lilly's Life and Times, by himself, iv. 226 note
  • History of Robert Powell, by Thomas Burnet, iv. 335 note
  • History of the Civil War, by Clarendon, i. 87 note
  • History of the Life and Adventures of Mr. Duncan Campbell, &c., by Defoe, i. 126 note
  • Hive, Rebecca, iv. 372
  • Hoadly, Benjamin (Bishop of Winchester), advocate for episcopacy of the Church and liberty of the people, i. 5 and note:
  • controversy with Dr. Atterbury, i. 5 and note:
  • controversy with Dr. Blackall on Passive Obedience, i. 359 note and seq.; ii. 8 note and seq.:
  • probably wrote the letter in No. 50, ii. 9
  • ---- Dr. John, son of the above, i. 361 note
  • Hochsted, Scene of Battle of Blenheim, i. 28, 266 note
  • Hockley-in-the-Hole, its Bear-garden, i. 234 note, 235 note, 255, 256
  • Hogarth, his Rake's Progress, i. 12 note, 247 note:
  • his picture of a theatre at Oxford, i. 366 note:
  • his picture of a cock-fight, iii. 112 note
  • Hogshead (or Tun) of Wapping, i. 200, 201 and note
  • Holborn, i. 335; iii. 119; iv. 44
  • ---- Bars, iv. 152
  • Holland, i. 80 note, 89, 105, 106, 120, 151, 154, 174, 200, 205, 229, 269, 299, 354, 362; ii. 222; iii. 81, 101, 123, 246, 316, 318
  • Holt, Sir John (Verus), magistrate, i. 123 and note, 158 note
  • ---- Lady, iv. 381
  • Homer compared to Virgil, i. 57 and note:
  • the action of the Iliad related in form of a journal, i. 58 seq.:
  • in the Chamber of Fame, ii. 228:
  • his "Works," by Barnes, iii. 159 note, 160 note:
  • on Immortality, iii. 199 seq.:
  • referred to, ii. 52, 70, 71, 230, 412, 424 note; iii. 159, 222, 223, 270; iv. 288:
  • Iliad, iii. 103, 104, 172, 175 seq.:
  • Odyssey, iii. 104
  • Honest Fellows, i. 368, 369
  • Honest Ned, i. 99 and note
  • Honey Lane Market, i. 235 note, 334
  • Honeycomb, Will, iv. 339 note
  • Honour, a false sense of, leads to duels, i. 6:
  • the temple of, iii. 49, 50:
  • a court of, iv. 271 seq., 281 seq., 283 seq., 293, 298 seq., 312, 315 seq., 331 seq., 364 seq., 371
  • Honour and titles, the historical origin of, iii. 298 seq.
  • Hood, Robin, ii. 232
  • Hoods, the fashion of, iv. 93 and note
  • Hooker, a model of style, iv. 180
  • Hopson, Charles, Esq., i. 334
  • Horace, a master of satire, iv. 235 seq.:
  • Ep. quoted, ii. 125, 241, 293, 333; iii. 21, 198 note, 273, 298, 308, 353; iv. 17, 44, 49, 110, 119, 128, 154, 189, 201, 242, 369:
  • Odes quoted, i. 93; ii. 94, 175, 212, 382; iii. 198, 293, 303, 311 and note, 362, 385, 400; iv. 139, 171, 196, 278, 287, 341:
  • Sat., ii. 366, 377, 394; iii. 32, 49, 61, 72, 87, 120, 140, 218, 264, 289, 312, 327; iv. 54, 123, 166, 228, 252, 274, 364:
  • Ars Poetica quoted, ii. 141, 153, 154, 359; iii. 160, 261, 279, 358, 405; iv. 219, 225, 365:
  • Ode to Pyrrha, iii. 309, 310:
  • referred to, i. 77; ii. 296 note; iii. 270, 309; iv. 381
  • ---- Turnstile, iv. 150 note
  • ---- St. Bernard, ii. 48
  • Littleton, Coke on, iii. 107, 389
  • Liverpool, iv. 209
  • Livy, ii. 63 note; iii. 329
  • Llanbadern Vawr, i. 254 note
  • Lloyd, Edward, founder of Lloyd's Coffee-house, iv. 359 and note
  • Locke, John, his Essay Concerning Human Understanding, i. 328 and note:
  • referred to, i. 316; iv. 166
  • Lofty, Colonel, iv. 68
  • Lombard Street, iii. 323, 352 note; iv. 359 note, 381
  • Lombards, the, ii. 57, 84
  • London, i. 7 note, 12 note, 31 note, 362, 371, 392; ii. 12 note, 91, 150, 209, 236; iii. 92, 95, 110, 162, 257; iv. 95, 339 note
  • ---- Bridge, a test of a man's fitness for travel, ii. 301
  • ---- Daily Post, ii. 15 note
  • ---- House, iii. 234 note
  • ---- cries, i. 41 and note
  • ---- Vocabulary, The, by Greenwood, iv. 196 note
  • ---- Cuckolds, by Edward Ravenscroft, i. 73 and note
  • ---- Gazette, i. 83 note, 157 note; ii. 260 note; iii. 112 note; iv. 154 note
  • ---- Wall, i. 247 note
  • Long, Major, his wine vaults, iii. 178
  • Long Acre, iii. 345; iv. 380
  • Longinus, i. 148; ii. 70; iii. 105
  • Longstaff, i. 102, 103, 104
  • Longtail, Anthony, of Canterbury, i. 214 note
  • Long-tails, i. 103
  • Lord, Rev. Mr., curate, iv. 380
  • Lord Mayor's Day, i. 73 note
  • Lorio, beloved of Maria, ii. 287 seq.
  • Lorrain, Paul, the Ordinary of Newgate, ii. 102 and note
  • Lothbury, i. 334
  • Lottery, the Million, ii. 268 and note
  • ---- scheme for getting ladies fortunes, iv. 38 seq., 48, 49 seq.:
  • the first state, iii. 55, 296 seq.:
  • I. B.'s help requested, iii. 59, 60:
  • the penny, iii. 58 and note:
  • referred to, iii. 77
  • Lottume, General, i. 362
  • Lotius, inconsistencies of his character, iv. 90
  • Lotus, the, iii. 177 and note
  • Louis, Duke of Bourbon, son of the Dauphin, iii. 194 note
  • Louis XIII., ii. 54
  • ---- XIV., his character, i. 193 seq.:
  • a letter to, i. 194; iii. 394:
  • verses to, i. 206:
  • a letter from, i. 217:
  • referred to, i. 20 note, 54 note, 74 note, 165, 197, 219, 244 note, 246, 313, 322, 332, 372; ii. 166, 204, 322; iii. 23, 33 note; iv. 187
  • Love, its power over Cynthio, i. 14, 15 and note, 184 seq.:
  • now in disgrace, i. 46:
  • not blind but squinting, and a thief, i. 47, 48:
  • a story of rivalry in, i. 52 seq.:
  • resolutions always inspired by, i. 90 seq.:
  • its power illustrated by Dryden's All for Love, i. 93 and note:
  • craft in, natural to woman, i. 163:
  • safety in following the judgment of others, i. 187:
  • the tyranny of, i. 371 seq.:
  • compared to lust, i. 394 seq.:
  • the passion of, ii. 281 seq.:
  • a parable of, ii. 283 seq.:
  • grows in marriage, ii. 312 seq.:
  • a victim of unrequited, ii. 382 seq.:
  • disappointments in, iii. 368 seq.:
  • an allegory of, from Spenser, iv. 7-12:
  • the passion condemned in every aspect, iv. 15 seq.:
  • case of heroic love in the city, iv. 99 seq.
  • Love for Love, by Congreve, i. 15 and note, 16 note, 17 note, 29 note; ii. 163 note; iii. 38
  • Love in a Hollow Tree; or, The Lawyer's Fortune, by Viscount Grimston, i. 178 and note
  • Love in a Wood, by Wycherley, i. 311 note
  • Love's Last Shift, by Cibber, iii. 356
  • Lovely, Lady, iv. 71
  • Lovemore, a happy husband, iii. 193 seq.
  • Lover, The, Steele's, quoted, i. 192 note; ii. 255 note; iii. 161 note
  • Lovers, plain language recommended in place of usual perplexity and rapture, i. 287:
  • advice to, ii. 250 seq.:
  • difficulties in classing, iii. 257
  • Low Countries, the, i. 156, 205, 229, 299
  • Lucca, i. 50, 61, 72
  • Lucia, jealous of her mother, iv. 67
  • Lucian, his Judicium Vocalium, iv. 339 and note
  • Lucinda, the charming, iv. 352
  • Lucippe, admired of the fops, i. 395, seq.
  • Lucius, a play by Mrs. Manley, iv. 242 note
  • Lucretia, worthy of a place in the Chamber of Fame, ii. 246, 247:
  • her character, ii. 247:
  • the story of, iii. 19
  • Lucy, Mrs. (i.e. Mrs. Warren), i. 286 note
  • Ludgate Church, i. 168 note
  • ---- Hill, iii. 72
  • ---- Street, iv. 169 note
  • Lust compared to love, i. 394 seq.:
  • the Temple of, iii. 36
  • Luther, his Colloquies quoted, iv. 52 note
  • Luttrell, his Brief Relationnote; iv. 372 note
  • Monoculus (i.e. Sir Humphrey Monoux), a sharper, i. 298 and note; ii. 51, 206:
  • letters to and from, ii. 173-175
  • Monoux, Sir Humphrey. See Monoculus
  • Mons, i. 4, 19 note, 144, 174, 184, 269, 291; ii. 97, 106, 107, 133, 134, 199, 222, 232, 244, 266 note
  • Monstrosities noticed, iv. 159 seq.
  • Montagu, Edward Wortley, Esq., second volume Tatler dedicated to, ii. 1 and note, 2 note:
  • supplied material for No. 223, iv. 142 note
  • Montagu, Lady Mary Wortley, letters of, ii. 2 note:
  • referred to, i. 38 note; ii. 1 note
  • ---- Edward, first Earl of Sandwich, ii. 1 note
  • ---- Edward W., junior, ii. 1 note
  • ---- Mary, ii. 1 note
  • ---- Duke of, i. 47 note
  • ---- Duchess of (? Maria), i. 386 and note
  • Montague, Charles, a second MÆcenas, vol. iv. dedicated to, iv. 3 and note, 4 note:
  • referred to, i. vii
  • ---- Mr. Chancellor, i. 124 note
  • Montague House, i. 258: fields behind it a favourite place for duelling, iv. 349
  • Montaigne quoted, ii. 239; iv. 320
  • Montandre, Marquis de, iii. 76 note
  • Monthly Chronicle, iv. 195 note
  • Monthly Miscellany; or, Gentleman's Journal, ii. 134 and note
  • Montpellier, iii. 63; iv. 204 note
  • Monument, the, i. 233
  • Moore, T., apothecary, iv. 152 note, 382
  • Moorfields, French prophets in, i. 100 note:
  • plans for a college at, i. 247 note; iii. 64, 73 seq., 134, 149, 258, 313 seq., 318 seq., 336:
  • candidates for, iii. 313 seq.
  • Moorgate, i. 334
  • Mopsa, a young country wench, iii. 58, 77, 78, 79
  • ---- in despair at neglect at a masquerade, iii. 171
  • Mopstaff, Humphrey, Bachelor of Queen's College, Oxon., i. 153
  • ----, i. 102, 104
  • Morality, life without its rules is a wayward, uneasy being, i. 398
  • More, Sir Thomas, ii. 223 note
  • ---- Henry, the Platonist, his Conjectura Cabalistica, i. 262 and note
  • ---- Mr., writing-master, iv. 329 and note
  • Morforio, iii. 87, 91
  • Morley, Professor Henry, his Memoirs of Bartholomew Fair, ii. 313 note:
  • his Life of Girolamo Cardano, iv. 103 note
  • ---- John, on Guicciardini, iv. 342 note
  • Morning, Swift's lines on, i. 111.
  • See Description of the Morning
  • ---- gowns, iv. 149 and note
  • Morocco, ambassador of, iii. 38 and note
  • Morphew, John, printer of the Tatler, referred to, i. 64 and note, 106 note, 218, 222 note, 261, 299 note; ii. 129, 167, 207, 222, 248, 360, 365; iii. 57, 71 note, 77, 133, 249, 255, 277, 336, 346, 374; iv. 13, 14, 38, 128, 186, 233, 380
  • Morris' Coffee-house, i. 161
  • Mortagne, i. 290, 299
  • Mortar, Hon. Colonel, ii. 88
  • Mortlake, ii. 320 note
  • Motteux, Peter Anthony, dramatist, ii. 377 note and seq.:
  • published Gentleman's Journal, ii. 134 and note
  • "Mount of Restitution," the, ii. 343, 353 seq.
  • Mountford, the actor, i. 30 note
  • ----, Mrs, i. 30 note
  • Mourning, the Æsthetic advantages of, iii. 194 seq.
  • Moving pictures, iii. 82 and note, 83 and note, 283
  • Mr. Pope's Welcome from Greece, by Gay, i. 380 note
  • "Mrs.," title used for country gentlewomen, i. 89 note
  • Muffen, Mr., keeper of a china shop, i. 83 note
  • Mulgrave, Earl of, i. 117 note
  • Mum, a bottle of, ii. 261; iii. 23 and note
  • Mundon, Admiral, i. 280 note
  • Muralt, his Letters describing the Character and Customs of English and French Nations, iii. 112 note
  • MusÆus, ii. 232; iii. 216
  • Muscovites, i. 72, 236; ii. 67; iii. 220, 246
  • ---- Czar of, iii. 221; iv. 153 note, 186, 227
  • Museum Tradescantianum, a collection of rarities preserved at South Lambeth, near London, by John Tradescant, i. 282 note
  • Muses' Mercury, i. x
  • "Musical Instruments," by Addison, i. 4:
  • male characters illustrated by, iii. 206 seq., 258:
  • female characters illustrated by, iii. 228 seq., 248
  • Musket (or Pistol) of Wapping, i. 200, 201 and note
  • Musty, a kind of snuff, i. 229; ii. 214, 352
  • Myrmidons, the, of Homer, ii. 52, 74, 81, 117
  • Nab, Ralph, haberdasher, humble petition of, iv. 371
  • Naboharzon, King of Babylon, iii. 223
  • Naked Boy, the, iv. 148 note
  • Naked Truth, The, by Colonel Crowther (?), sarcasms on, i. 146 note and seq., 178 seq.
  • Nakedness, an affectation of, iv. 109 seq.
  • Namur, i. 52, 174
  • Nando's Coffee-house, i. 228 note; iii. 152, 348
  • Naples, i. 50, 75, 94, 213; iii. 86; iv. 321
  • Narrative of Guiscard's Examination, by Mrs. Manley, i. 245 note356 seq.
  • Pikestaff, Timothy, i. 89 note, 102, 104
  • Piledea, the friend of Orestea, ii. 148
  • Pilgrim's Progress, The, i. 382
  • Pilgrimstaff, i. 104
  • Pimlico, iii. 302
  • Pincent, Captain, i. 52
  • Pindarics, a receipt for, ii. 378
  • Pindust, Mrs. Rebecca, for whom many lovers have died, ii. 400 seq.
  • Pinkethman, his company of strollers, i. 42 and note:
  • compared to Bullock, iii. 384, 385:
  • referred to, i. 67, 68 note, 70, 170, 346;
  • ii. 281;
  • iii. 327
  • Pin-money, the curse of, iv. 32 and note
  • Pinto, Ferdinand Mendez, a Portuguese traveller, iv. 288 and note
  • Pip, a man made at cards, i. 107
  • Piper, Count, i. 399; ii. 67
  • Pipestaff, i. 104
  • Pippe, Mrs. Mary, iv. 332
  • Pirates, literary, ii. 347 note and seq.
  • Pistol of Wapping, iv. 85 note. See Musket
  • Plagius, a preacher, iv. 368
  • Plain Dealer, The, by Wycherley, i. 243 note;
  • ii. 246 note
  • Plain English, letters from, iv. 92 seq., 158
  • Plaistow, Mr., iii. 61 note
  • PlanchÉ, his CyclopÆdia of Costume, iii. 192 note
  • Plantwell, Lady, ii. 87
  • Plato, conductor of Socrates in Chamber
  • of Fame, ii. 228: a parable on love by, ii. 283 seq.:
  • a fable of, iii. 131;
  • iv. 238, 239: on suicide, iii. 214:
  • referred to, ii. 70, 71, 390;
  • iii. 116 and note;
  • iv. 21, 221
  • Platonne, a professed, i. 262 seq.
  • Plautus, iv. 326
  • Playhouse, the inventory of, by Addison, i. 4
  • Plays, will revive and drive out the present passion for dress and noise, i. 18:
  • the morality of, defended, i. 31:
  • immoral ones condemned, i. 74
  • Pleasure, accounts of, directed from White's Chocolate-house, i. 12:
  • and virtue, a fable of, ii. 324 seq.:
  • claims to be called happiness, ii. 325:
  • or vice, ii. 327:
  • depraved men of, i. 107:
  • true art of, not understood, i. 136
  • Plenty, the god of, ii. 283
  • Pliny, ii. 80, 169 note:
  • on a good husband, ii. 189:
  • Epistles of, quoted, ii. 420, 423:
  • letters to his wife, iii. 186 seq., 238:
  • letters to Gallus, iii. 338:
  • referred to, iii. 87, 186, 326, 329
  • Plow Yard, i. 127 note
  • "Plum," a, i. 326; ii. 57; iii. 56
  • Plumb, Peter, a merchant, his case against the Hon. Thomas Gules, iv. 298 seq.
  • Plumbeus, iv. 254 seq.
  • Plume, Colonel, in dialogue on duelling, i. 318 seq.
  • ---- Sir, his clouded cane, iii. 154 note
  • Plutarch, ii. 228, 412 note;
  • iv. 45, 220, 221
  • Pluto, King of Shades, iii. 213, 224
  • Poetical vapours, i. 384
  • ---- justice destroys moral effect of tragedies, ii. 233
  • Poetry, accounts of, from Will's Coffee-house, i 12:
  • its influence for virtue, ii. 331 seq.:
  • for sale, ii. 377 seq.:
  • compared to history, ii. 392, 393:
  • faults and virtues of English poets, iii. 260
  • Poets, advice to young, an essay on the methods of work, i. 33, 34, 35
  • "Point of war," a, ii. 315 and note
  • Pointer, his Chronicle History, i. 147 note
  • Poland, i. 43, 183, 204; ii. 47, 133;
  • iii. 218, 219:
  • ---- King of, i. 213
  • Polite Conversation, by Swift, ii. 6 note
  • Political Barometer. See State weather-glass
  • Political State of Great Britain, by Abel Boyer, i. 157 note
  • Politicians, of the Mall, iii. 220 seq.:
  • of the coffee-house, iv. 360 seq.:
  • referred to, i. 327; iii. 256
  • Politics, complaint of I. B.'s incursions into, iv. 13 note
  • Poluglossa, her character, i. 344
  • Polybius, a just historian, ii. 229
  • Polyglottes, a pedant, iv. 25
  • Polypragmon (? Harley), his character, iii. 395 note and seq.
  • Pompey in the Chamber of Fame, ii. 229:
  • his modesty, ii. 262:
  • referred to, iii. 89
  • ---- a blackamoor boy, iv. 251
  • Pontack, son of President of Bordeaux, iii. 95 note
  • Pontius Pilate, his wife's chambermaid's sister's hat, i. 283
  • Poor Robin's Almanac, i. 169; iv. 169 and note
  • Pope, Alex., his Pastorals, i. 112 note:
  • his Epitaph on Withers, i. 378 note:
  • his Rape of the Lock, ii. 29 note, 79 note; iv. 353:
  • his Epistle to Miss Blount on her leaving the town after the Coronation, iv. 336 note:
  • his The Basset Table, iv. 337 and note:
  • referred to, i. 8 note, 38 note, 112 note, 380 note; ii. 6 note, 249 note
  • ---- the, i. 49, 50, 60, 61, 71, 73, 94, 102, 155, 316; iii. 85, 86, 375; iv. 128
  • ---- Clement XI., ii. 142
  • Popham, Elizabeth, wife of Visco
  • Rowe, i. 83 note; iv. 310 note
  • Roxana, her nightgown, i. 345
  • Royal pastime of cock-fighting, &c., by R. H., iii. 112 note
  • Royal Society, members of, resort to "the Grecian", i. 13 note:
  • I. B.'s learning bequeathed to, i. 66 and note:
  • their Philosophical Transactions, iii. 26 note:
  • referred to, i. 349; ii. 309 note; iii. 30; iv. 39, 134, 135, 207, 210 and note, 321
  • Rozelli, M., his cure for the gout, i. 83 note:
  • his adventures at the Hague, i. 83 note
  • Rubicon, the, i. 303 note, 304 note
  • Russell Street, i. 12 note, 13 note, 24 note; iv. 327 and note
  • ----, Admiral, iii. 84 note
  • Rycant, Sir Paul, on the Ottoman Empire, iii. 111 note
  • Ryves, Jerome, Dean of Killaloe, iv. 206 note
  • S.P.C.K. founded by Mackworth, ii. 85 note
  • Sa Ga Zean Qua Prah Ton, an Iroquois chief of the Maquas, iii. 299 note, 301
  • Saar, ii. 105
  • Sabbath, the advantages of, iv. 87 seq.
  • Saccharissa (i.e. Lady Dorothy Sidney), ii. 87 and note
  • ----, i. 46
  • Sacheverell, Dr., his trial, i. 317 note; ii. 121 note; iii. 140 note, 145 note; iv. 4 note:
  • cause of ladies' early rising, iii. 151:
  • a popular subject, iii. 228:
  • his handkerchief, iii. 376:
  • ovations for, iii. 377 and note, 378 note
  • Sacred College, the, i. 71
  • Saffold, Dr., i. 168 note, 169 note; iv. 226 and note
  • Sage, Mr., in the "Dialogue on Duelling," i. 318 seq.
  • Sagissa betrayed by snuff, i. 285, 286
  • St. Alban's, i. 156 note, 178 note
  • St. Anne's Lane, i. 334
  • St. Botolph, i. 247 note
  • St. Catherine by the Tower, ii. 372 and note
  • St. Catherine's Dock, ii. 372 note
  • St. Christopher's Court, ii. 42 note
  • ----, Fort, i. 149
  • St. Clement's, ii. 264 note; iii. 127, 389
  • St. David's, celebration of, iii. 140
  • St. Dunstan's in the West, ii. 171 note
  • ----, in Fleet Street, iv. 379, 382
  • St. Evremond, Governor of Duck Island, ii. 413 note
  • St. Gall, Abbot of, ii. 48
  • St. George, i. 257; ii. 316
  • St. George's Church, i. 140 note
  • St. Gile's i. 335
  • St. James', too refined for rope-dancing, ii. 335 note:
  • referred to, ii. 91
  • St. James's Coffee-house, foreign and domestic news, i. 13:
  • history of, i. 13 note:
  • clean linen required at i. 13:
  • referred to, i. 91, 92, 93, 214, 216; ii. 123, 277, 419; iii. 9 note, 276; iv. 43 and note, 131
  • ----, Park, duel in, i. 124 note:
  • Rosamond's Pond in, ii. 79 and note:
  • referred to, ii. 126 note, 413 note; iii. 219, 244, 271; iv. 370
  • ---- Street, i. 12 note, 13 note; iii. 276
  • ---- Church, iv. 335
  • St. James, patron saint of Spain, i. 323 note
  • St. John, convent of, i. 76
  • St. Juan, Conte de, i. 150
  • St. Margaret's Westminster, ii. 104 note
  • St. Martin's, i. 334
  • ---- Westminster, i. 42 note
  • St. Mary's, i. 71
  • ---- at Oxford, i. 315
  • St. Patrick as rat-catcher, iv. 207:
  • his well, iv. 209
  • St. Paul's Alley, i. 336
  • ---- Cathedral, ii. 24 and note, 38, 39, 40, 85; iii. 13; iv. 26, 169 note, 232, 233
  • ---- Churchyard, ii. 39; iii. 133 note; iv. 329 note
  • ---- School, iii. 133 and note; iv. 196 note
  • St. Pear, Colonel, iii. 55 note
  • St. Peter de Albigni, ii. 48
  • St. Peter's, i. 71; ii. 85
  • Salisbury Street, iii. 24
  • Sallust, his Bell. Cat., i. 53 and note, 76, 273 note; ii. 94, 95, 229, 317; iii. 128, 347; iv. 97 note
  • Salsine, Abbey of, i. 53
  • Salter, a barber, founder of Chelsea Coffee-house, the Don Saltero of the British Apollo, i. 280 note and seq.; iv. 15, 163
  • Saltzburg, Archbishop of, i. 95
  • Sampler, Will, ii. 22
  • Samplers, an essay on, by Mrs. Manly, i. 41 and note
  • San Diego, i.e. Santiago, i.e. St. James, i. 323 note
  • Sandford, Sam., iii. 113 and note, 384
  • Sands, Lord, iii. 198 note
  • Sandwich, Edward, Earl of, i. 47 note
  • Santiago (i.e. St. James), i. 323 note
  • Sapho (? Mrs. Manley), character and anecdotes of, i. 55 note:
  • referred to, i. 329, 331
  • Sapicha, the, a Polish family, i. 305
  • Saraband, Mrs., her puppet-show, i. 170
  • Sarkey, Major-General, i. 150
  • Sart, ii. 108, 109, 127
  • Sartre, M., first husband of Dorothy Addison, iv. 204 note
  • Satire addressed to a friend that is about to leave the University, by ute, ii. 1 note
  • Sturdy, honest Mr., i. 262 note, 268
  • Styx, iii. 24, 213, 214, 223
  • Sublime, the true, i. 351 seq.
  • Such-an-one, Jack, his character, iv. 65, 66
  • ---- Lady, iv. 67
  • Suckling, Sir John, on love, i. 329:
  • his tragedy of Brennoralt, i. 329:
  • his Poems, iv. 240:
  • referred to, ii. 61, 70, 256
  • Suffenus, his happiness centred on a gilded chariot, iii. 171
  • Suffolk, Henry, fifth Earl of, i. 179 note
  • ---- Street, resort of gamblers, ii. 89 and note, 91, 157 seq.
  • Summer-house, a covered, iii. 337 seq., 380 seq.; iv. 53
  • Sunderland, Lord (? Horatio), i. 45 and note
  • ---- Robert, Earl of, ii. 87 note
  • "Supple men," iv. 101 seq.
  • Surville, M. de, i. 199
  • "Swallowers" distinguished from the "Eaters," iv. 61
  • Swan, Captain, ii. 95 note
  • Swash, Sir Paul, Knight, indicted for discourtesy, iv. 348, 349
  • Swearers, iii. 126 seq.
  • Swearing, a cunning cure for, i. 118, 119
  • Sweden, King of, i. 72, 213, 399; ii. 67, 134, 135; iii. 85 note, 336
  • Sweething's Lane, iii. 352 note
  • Swift, his age and position at starting of The Tatler, i. vii, viii:
  • his contributions, i. xiv:
  • his coldness towards Steele and others, i. xxiv:
  • acknowledgements to, i. 3:
  • his verses on a Shower, ibid.:
  • his Description of the Morning, ibid., i. 81, 82, 111 seq.; iv. 216 note:
  • made name of Bickerstaff famous, i. 8, 22 note:
  • his Essay on Modern Education, i. 12 note:
  • described as Wagstaff, i. 81 seq.:
  • his Journal to Stella, i. 83 note, 92 note, 107, 285 note; ii. 122 note, 396 note; iii. 55 note, 299 note, 407 note; iv. 175 note, 211 note, 215 note, 254 note, 265 note, 294 note, 310 note, 320 note, 374 note:
  • hatred of Boyer, i. 157 note:
  • his Tale of a Tub, i. 209 and note; iv. 320 note:
  • the "Janus of the Age," i. 268:
  • his Polite Conversation, ii. 6 note:
  • his City Shower, iii. 58 note; iv. 215 note:
  • his Genteel Conversation, iii. 100 note:
  • on Mary Astell, iii. 274 note:
  • his treatment of Death, iii. 351 note:
  • his continuation of the Tatler, iii. 406 note:
  • his The Importance of the Guardian considered, iii. 407 note:
  • his Project for the Advancement of Religion, iv. 294 note:
  • his Directions to the Waiting-Maid, iv. 294 note:
  • his Journal of a Modern Lady, iv. 338 note
  • Referred to, i. 13 note, 22 note, 48 note, 49 note, 99 note, 112 note, 156 note, 228 note, 245 note, 263 note; ii. 4 note, 85 note, 146 note, 320 note; iii. 12, 390 note, 407 note; iv. 43 note, 93 note, 149 note, 194 note, 204 note, 206 note, 315 note, 343 note
  • Letters by (signed Obadiah or Tobiah Greenhat, Elizabeth Potatrix, Cato junior, and Aminadab), i. 259 and note, (?) 289; ii. 70 seq., 102 seq., 151 (?), 162, 163 (?); iii. 391, 392 (?); iv. 13 seq.
  • Part author of Nos. 32, 66, 67, 68 (?), 230, 238
  • Hawkesworth claims for him Nos. 66, 67, 74, 81; ii. 223 note:
  • an article not by him, ii. 186 note
  • Swiss, the (Heidegger), ii. 118
  • Switch, Tom, a letter from, i. 240
  • Switzerland, i. 50, 61, 62, 76:
  • described by Addison, ii. 300
  • Sylvia and Dorinda, dialogue by Mrs. Singer, i. 92 and note
  • Sylvia, her hard case, iii. 367 seq., 382 seq.
  • Sylvius (General Cornelius Wood), iii. 162 and note
  • Symes, Thomas, first husband of Steele's mother, iii. 350 note
  • Synge, Captain R., i. 334
  • T. R., a Welshman, iv. See Hogshead, iv. 85
  • Tunbridge, i. 380; ii. 111, 378
  • Turin, i. 35, 70, 182; ii. 133
  • Turnbull, Andrew, iv. 382
  • Turkey, a merchant of, whose Greek servant founded the "Grecian," i. 13 note:
  • the Emperor of, his gratitude to his horse, iii. 43:
  • referred to, iii. 111, 220, 222, 246
  • Turners, the, city ladies (Lady Autumn and Lady Springly), i. 293 and note
  • Tuscany, Duke of, iv. 227
  • Tusculan Disputations, Dr. Bently on, i. 66 note
  • Tutchin, John, tried for libel, i. 158 note
  • "Tutty," iv. 353 and note
  • "Twelvepence a peck, oysters," a London cry, i. 41 note
  • Twicestaff, another name for Distaff, i. 104
  • Twig, Mrs. Biddy, ii. 247
  • ---- Offspring, a letter from, ii. 88, 89
  • Two Crowns and Cushion, Thomas Arne's sign, iii. 301
  • Twoshoes, Giles, a monied wag, ii. 58, 59
  • Twysden, Heneage, author of genealogy of the house of Bickerstaff, i. 4:
  • his death and monument, ibid.:
  • referred to, i. 101 note, 102 seq.
  • ---- Sir William, i. 101 note
  • ---- Josiah, i. 102 note
  • ---- John, i. 102 note
  • Typhonus, a giant, i. 256
  • Ubi, Will, company for anybody, ii. 56
  • Ukrania, i. 71, 236
  • Ulysses, i. 59, 60; ii. 53, 232; iii. 104, 222; iv. 288:
  • his voyage to the regions of the dead, iii. 200 seq.
  • Umbra, a coxcomb, i. 311, 312
  • ---- the genius of credit, i. 391 seq.
  • Umbratilis, a pretender, iv. 245
  • "Umbrello," an, iii. 12 and note
  • Under a Lady's Picture, by Waller, verses in which every woman thinks herself described, iii. 137, 138
  • Underhill, Cave, a famous comedian, i. 188 and note:
  • as the grave-digger, i. 188 note, 189
  • Union Coffee-house, iv. 154 note
  • Unnion, a corporal, his story, i. 52 seq.
  • Upholders, the Company of, claim to bury all the dead, ii. 337:
  • a letter from, ii. 338, 339:
  • referred to, ii. 352, 365, 381, 399 seq., 402, 416, 419; iii. 45, 257; iv. 327.
  • See "Walking Dead"
  • "Upholsterer, the political," iii. 218, 244, 332 seq., 336, 343; iv. 18, 185 seq.
  • Urbanus, an excellent companion, iv. 244
  • Ursula, Mrs., iv. 353
  • Urwin, Will, proprietor of Will's Coffee-house, from whom it was named, i. 12 note
  • Vafer, Will, a sharper, ii. 51
  • Vainglorious Glutton, The, by Mr. Fuller, iv. 59 note
  • Valenciennes, i. 174, 339; ii. 200; iii. 317
  • Valentia, an esteemed woman, ii. 46
  • Valentine, a sentinel, i. 52 seq.
  • ----, in Love for Love, ii. 163 note
  • ----, I. B.'s, iii. 149:
  • referred to, iii. 130 and note
  • Valentini Urbani, Signior, singer, i. 345 and note
  • Valerius Maximus, ii. 62 note, 262 note
  • ---- honest, iii. 241
  • Van Konsbruch, i. 61
  • Vanbrugh, Sir John, architect of the Haymarket, i. 110 note, ii. 334 note:
  • his Confederacy, i. 111 note:
  • his Relapse, i. 29 note, 67 note:
  • locked in Bastille, i. 218 and note
  • Vandals, i. 257; ii. 337; iv. 22
  • Vanderbank, Peter, his tapestries, i. 32 note, 33 note
  • ---- William, son of Peter, i. 33 note
  • ---- Instructions to, i. 32 and note
  • Vandyck, iv. 109 note
  • Vanity, condemned, i. 8:
  • the Temple of, iii. 50, 54
  • Vanity Fair quoted, iv. 74 note
  • Varick, the widow, her advertisement, iv. 148 note
  • Varillus, his true modesty, ii. 26
  • Varnish, Tom, a talker, iv. 243:
  • his history; iii. 120 seq.
  • Vauxhall (or Fox-Hall), originally the new Spring Gardens, i. 219 and note; ii. 126 note
  • Vegetable, a reverend, ii. 258
  • Vellum, in The Drummer, i. 158 note
  • Venice, Doge of, i. 95:
  • all soldiers from, are mercenaries, i. 231:
  • letter from, i. 27:
  • referred to, i. 171 note, ii. 301
  • Venice Preserved, by Otway, Belvidera in, played by Mrs. Barry, i. 16 note:
  • referred to, iii. 105, 409
  • Venus, i. 59, 138, 227; ii. 79 note, 281, 294; iii. 341; iv. 7, 261, 262:
  • her help sought by Juno, iii. 176, 177:
  • her girdle or cestus, iii. 176:
  • a tale of, iv. 321
  • VendÔme, Duke of, i. 20, 229; iv. 158
  • Verbruggen, Mrs., Cibber on, i. 30 and note:
  • Aston on, i. 31 note
  • ---- Mr., i. 16 note, 30 note, 31 note
  • Verdier, Mr., iv. 380
  • Verelst, John, his pictures of the Indian kings, iii. 299 note
  • Verisimilis, guardian-spirit of Honour, i. 389 seq.
  • Vernon, Mr. Secretary, i. 124 note
  • Verono (i.e. the Earl of Wharton), i. 45 and note
  • Verses on His own Death, by Swift, ii. 396 note
  • Verus (Sir John Holt), magistrate, his character, i. 123 and note
  • "Very Pretty Fellow," a character of a, i. 198 seq.:
  • a true woman's man, i. 199: referred to, i. 322, 324, 366; iii. 256
  • Very pretty gentleman, a, i. 1

    THE END OF THE FOURTH VOLUME


    Printed by Ballantyne, Hanson & Co.

    London & Edinburgh


                                                                                                                                                                                                                                                                                                               

    Clyx.com


  • Top of Page
    Top of Page