No. 99. [ Steele.

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From Thursday, Nov. 24, to Saturday, Nov. 26, 1709.

Spirat tragicum satis et feliciter audet.—Hor., 2 Ep. i. 166.

Will's Coffee-house, Nov. 25.

I have been this evening recollecting what passages (since I could first think) have left the strongest impressions upon my mind; and after strict inquiry, I am convinced, that the impulses I have received from theatrical representations, have had a greater effect than otherwise would have been wrought in me by the little occurrences of my private life. My old friends, Hart[304] and Mohun,[305] the one by his natural and proper force, the other by his great skill and art, never failed to send me home full of such ideas as affected my behaviour, and made me insensibly more courteous and humane to my friends and acquaintance. It is not the business of a good play to make every man a hero; but it certainly gives him a livelier sense of virtue and merit than he had when he entered the theatre. This rational pleasure (as I always call it) has for many years been very little tasted; but I am glad to find, that the true spirit of it is reviving again amongst us, by a due regard to what is presented, and by supporting only one play-house.[306] It has been within the observation of the youngest amongst us, that while there were two houses, they did not outvie each other by such representations as tended to the instruction and ornament of life, but by introducing mimical dances and fulsome buffooneries. For when an excellent tragedy was to be acted in one house, the ladder-dancer[307] carried the whole town to the other: and indeed such an evil as this must be the natural consequence of two theatres, as certainly as that there are more who can see than can think. Every one is judge of the danger of the fellow on the ladder, and his activity in coming down safe; but very few are judges of the distress of a hero in a play, or of his manner of behaviour in those circumstances. Thus, to please the people, two houses must entertain them with what they can understand, and not with things which are designed to improve their understanding: and the readiest way to gain good audiences, must be to offer such things as are most relished by the crowd; that is to say, immodest action, empty show, or impertinent activity. In short, two houses cannot hope to subsist, but by means which are contradictory to the very institution of a theatre in a well-governed kingdom.

I have ever had this sense of the thing, and for that reason have rejoiced that my ancient coeval friend of Drury Lane,[308] though he had sold off most of his movables, still kept possession of his palace, and trembled for him, when he had lately like to have been taken by a stratagem. There have for many ages been a certain learned sort of unlearned men in this nation called attorneys, who have taken upon them to solve all difficulties by increasing them, and are called upon to the assistance of all who are lazy, or weak of understanding. The insolence of a ruler of this place made him resign the possession of it to the management of my above-mentioned friend Divito. Divito was too modest to know when to resign it, till he had the opinion and sentence of the law for his removal. Both these in length of time were obtained against him: but as the great Archimedes defended Syracuse with so powerful engines, that if he threw a rope or piece of wood over the wall, the enemy fled; so Divito had wounded all adversaries with so much skill, that men feared even to be in the right against him. For this reason, the lawful ruler sets up an attorney to expel an attorney, and chose a name dreadful to the stage,[309] who only seemed able to beat Divito out of his entrenchments.

On the 22nd instant, a night of public rejoicing, the enemies of Divito made a largess to the people of faggots, tubs, and other combustible matter, which was erected into a bonfire before the palace. Plentiful cans were at the same time distributed among the dependencies of that principality; and the artful rival of Divito observing them prepared for enterprise, presented the lawful owner of the neighbouring edifice, and showed his deputation under him. War immediately ensued upon the peaceful empire of wit and the Muses; the Goths and Vandals sacking Rome did not threaten a more barbarous devastation of arts and sciences. But when they had forced their entrance, the experienced Divito had detached all his subjects, and evacuated all his stores. The neighbouring inhabitants report, that the refuse of Divito's followers marched off the night before disguised in magnificence; door-keepers came out clad like cardinals, and scene-drawers like heathen gods. Divito himself was wrapped up in one of his black clouds, and left to the enemy nothing but an empty stage, full of trap-doors, known only to himself and his adherents.

From my own Apartment, Nov. 25.

I have already taken great pains to inspire notions of honour and virtue into the people of this kingdom, and used all gentle methods imaginable, to bring those who are dead in idleness, folly, and pleasure, into life, by applying themselves to learning, wisdom, and industry. But since fair means are ineffectual, I must proceed to extremities, and shall give my good friends the Company of Upholders full power to bury all such dead as they meet with, who are within my former descriptions of deceased persons. In the meantime the following remonstrance of that corporation I take to be very just:

From our Office near the Haymarket, Nov. 23.

"Worthy Sir,

"Upon reading your Tatler of Saturday last,[310] by which we received the agreeable news of so many deaths, we immediately ordered in a considerable quantity of blacks; and our servants have wrought night and day ever since, to furnish out the necessaries for these deceased. But so it is, Sir, that of this vast number of dead bodies, that go putrefying up and down the streets, not one of them has come to us to be buried. Though we should be both to be any hindrance to our good friends the physicians, yet we cannot but take notice, what infection her Majesty's subjects are liable to from the horrible stench of so many corpses. Sir, we will not detain you; our case in short is this: here are we embarked, in this undertaking for the public good: now if people shall be suffered to go on unburied at this rate, there's an end of the usefullest manufactures and handicrafts of the kingdom: for where will be your sextons, coffin-makers, and plumbers? What will become of your embalmers, epitaph-mongers, and chief mourners? We are loth to drive this matter any further, though we tremble at the consequences of it: for if it shall be left to every dead man's discretion not to be buried till he sees his time, no man can say where that will end; but thus much we will take upon us to affirm, that such a toleration will be intolerable.

"What would make us easy in this matter, is no more but that your Worship would be pleased to issue out your orders to ditto dead to repair forthwith to our office, in order to their interment, where constant attendance shall be given to treat with all persons according to their quality, and the poor to be buried for nothing; and for the convenience of such persons as are willing enough to be dead, but that they are afraid their friends and relations should know it, we have a back door into Warwick Street, from whence they may be interred with all secrecy imaginable, and without loss of time, or hindrance of business. But in case of obstinacy (for we would gladly make a thorough riddance), we desire a further power from your Worship, to take up such deceased as shall not have complied with your first orders, wherever we meet them; and if after that there shall be complaints of any persons so offending, let them lie at our doors.—We are,

"Your Worship's till death,

The Master and Company Of Upholders.

"P.S.—We are ready to give in our printed proposals at large; and if your Worship approves of our undertaking, we desire the following advertisement may be inserted in your next paper:

"Whereas a commission of interment has been awarded against Dr. John Partridge,[311] philomath, professor of physic and astrology; and whereas the said Partridge hath not surrendered himself, nor shown cause to the contrary, these are to certify, that the Company of Upholders will proceed to bury him from Cordwainers' Hall, on Tuesday the 29th instant, where any six of his surviving friends, who still believe him to be alive, are desired to come prepared to hold up the pall.

"Note.—We shall light away at six in the evening, there being to be a sermon."


[303] "Comus," 366.

[304] Charles Hart, who died in 1683, was the creator of several important parts in plays by Wycherley, Dryden, and Lee. Hart and Mohun were the principal members of Killigrew's company. Hart was the grandson of Shakespeare's sister Joan, and Cibber mentions specially the fame of his representation of Othello. See No. 138.

[305] Michael Mohun, like Hart, fought on the side of Charles in the Civil War, and began his life as an actor by performing women's parts. He generally played second to Hart. Gildon ("Comparison between Two Stages," 1702) says that plays were so well acted by Hart and Mohun that the audience would not be distracted to see the best dancing in Europe.

[306] The thirteen years' monopoly at Drury Lane came to an end in 1695, when Betterton opened a new theatre at Lincoln's Inn Fields. In 1705, Betterton's company moved to the new theatre in the Haymarket; but the drama did not succeed at Vanbrugh's house, and in 1706 the Haymarket was let to M'Swiney. In 1708, through the instrumentality of Colonel Brett, the actors were again reunited at Drury Lane, and the Haymarket Theatre was devoted to Italian operas. But Rich soon quarrelled with his company, some of whom entered into negotiations with M'Swiney. In June 1709, Drury Lane Theatre was closed by an order from the Lord Chamberlain, and after certain structural alterations at the Haymarket, plays were acted successfully at that house. For a time there was thus again only one theatre open, until William Collier, M. P., a lawyer, got for himself the licence refused to Rich, and entered into forcible possession.

[307] In the "Touchstone," 1728, attributed to James Ralph, we are told that rope-dancing was then still in great esteem with the generality of people, though it had for some years been held in contempt in the refined neighbourhood of St James's. See Prologue to Steele's "Funeral":

"Old Shakespeare's days could not thus far advance;
But what's his buskin to our ladder-dance?
In the mid region a silk youth to stand,
With that unwieldy engine at command."

[308] Christopher Rich, who was forcibly expelled by Collier, by the aid of a hired rabble. According to an affidavit of Collier's, dated January 8, 1710, "On or about the 22nd of November, it being a day of public rejoicing, he ordered a bonfire to be made before the play-house door, and gave the actors money to drink your Majesty's health ... and that he came that evening to the play-house and showed the players Sir John Stanley's letter, and told them they might act as soon as they pleased, for that he had the Queen's leave to employ them. Upon which the players themselves and some soldiers got into the play-house, and the next day performed a play, but not the play that was given out, for Rich had carried away the clothes."

[309] Because it recalled the name of Jeremy Collier, who began his attack on the immorality of the stage in 1698.

[310] No. 96.

[311] See No. 96.

                                                                                                                                                                                                                                                                                                           

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