Laudis amore tumes? sunt certa piacula, quÆ te
Ter pure lecto poterunt recreare libello.
Hor.
The Soul, considered abstractedly from its Passions, is of a remiss and sedentary Nature, slow in its Resolves, and languishing in its Executions. The Use therefore of the Passions is to stir it up, and to put it upon Action, to awaken the Understanding, to enforce the Will, and to make the whole Man more vigorous and attentive in the Prosecutions of his Designs. As this is the End of the Passions in general, so it is particularly of Ambition, which pushes the Soul to such Actions as are apt to procure Honour and Reputation to the Actor. But if we carry our Reflections higher, we may discover further Ends of Providence in implanting this Passion in Mankind.
It was necessary for the World, that Arts should be invented and improved, Books written and transmitted to Posterity, Nations conquered and civilized: Now since the proper and genuine Motives to these and the like great Actions, would only influence virtuous Minds; there would be but small Improvements in the World, were there not some common Principle of Action working equally with all Men.
Were not this Desire of Fame very strong, the Difficulty of obtaining it, and the Danger of losing it when obtained, would be sufficient to deter a Man from so vain a Pursuit.
How few are there who are furnished with Abilities sufficient to recommend their Actions to the Admiration of the World, and to distinguish themselves from the rest of Mankind? Providence for the most part sets us upon a Level, and observes a kind of Proportion in its Dispensation towards us. If it renders us perfect in one Accomplishment, it generally leaves us defective in another, and seems careful rather of preserving every Person from being mean and deficient in his Qualifications, than of making any single one eminent or extraordinary.
And among those who are the most richly endowed by Nature, and accomplished by their own Industry, how few are there whose Virtues are not obscured by the Ignorance, Prejudice or Envy of their Beholders? Some Men cannot discern between a noble and a mean Action. Others are apt to attribute them to some false End or Intention; and others purposely misrepresent or put a wrong Interpretation on them. But the more to enforce this Consideration, we may observe that those are generally most unsuccessful in their Pursuit after Fame, who are most desirous of obtaining it. It
Men take an ill-natur'd Pleasure in crossing our Inclinations, and disappointing us in what our Hearts are most set upon. When therefore they have discovered the passionate Desire of Fame in the Ambitious Man (as no Temper of Mind is more apt to show it self) they become sparing and reserved in their Commendations, they envy him the Satisfaction of an Applause, and look on their Praises rather as a Kindness done to his Person, than as a Tribute paid to his Merit. Others who are free from this natural Perverseness of Temper grow wary in their Praises of one, who sets too great a Value on them, lest they should raise him too high in his own Imagination, and by Consequence remove him to a greater Distance from themselves.
But further, this Desire of Fame naturally betrays the ambitious Man into such Indecencies as are a lessening to his Reputation. He is still afraid lest any of his Actions should be thrown away in private, lest his Deserts should be concealed from the Notice of the World, or receive any Disadvantage from the Reports which others make of them. This often sets him on empty Boasts and Ostentations of himself, and betrays him into vain fantastick Recitals of his own Performances: His Discourse generally leans one Way, and, whatever is the Subject of it, tends obliquely either to the detracting from others, or to the extolling of himself. Vanity is the natural Weakness of an ambitious Man, which exposes him to the secret Scorn and Derision of those he converses with, and ruins the Character he is so industrious to advance by it. For tho' his Actions are never so glorious, they lose their Lustre when they are drawn at large, and set to show by his own Hand; and as the World is more apt to find fault than to commend, the Boast will probably be censured when the great Action that occasioned it is forgotten.
Thus is
In the next Place, Fame is easily lost, and as difficult to be preserved as it was at first to be acquired. But this I shall make the Subject of a following Paper
C.
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