THE Bankside, as the preceding chapter indicates, offered unusual attractions to the actors. It had, indeed, long been associated with the drama: in 1545 King Henry VIII, in a proclamation against vagabonds, players,[195] etc., noted their "fashions commonly used at the Bank, and such like naughty places, where they much haunt"; and in 1547 the Bishop of Winchester made complaint that at a time when he intended to have a dirge and mass for the late King, the actors in Southwark planned to exhibit "a solemn play, to try who shall have the most resort, they in game or I in earnest."[196] The players, therefore, were no strangers to "the Bank." And when later in the century the hostility of the Common Council drove them to seek homes in localities not under the jurisdiction of the city, the suburb across the river offered them a suitable refuge. For, although a large portion of Southwark was under the jurisdiction of London, certain parts were not, notably the Liberty of the Clink and the Manor of Paris Garden, two sections bordering the river's edge, and the district of Newington lying farther back to the southwest. In these places the actors could erect their houses and entertain the public without fear of the ordinances of the Corporation, and without danger of interruption by puritanical Lord Mayors.
Yet, as we have seen, the first public playhouses were erected not on the Bankside—a "naughty" place,—but near Finsbury Field to the north of the city; and the reasons which led to the selection of such a quiet and respectable district have been pointed out.[197] It was inevitable, however, that sooner or later a playhouse should make its appearance in the region to the south of the city. And at an early date—how early it is impossible to say, but probably not long after the erection of the Theatre and the Curtain—there appeared in Southwark a building specially devoted to the use of players. Whether it was a new structure modeled after the theatres of Shoreditch, or merely an old building converted into a playhouse, we cannot say. It seems to have been something more than an inn-yard fitted up for dramatic purposes, and yet something less than the "sumptuous theatre houses" erected "on purpose" for plays to the north of the city.
Whatever the building was, it was situated at Newington Butts (a place so called from the butts for archery anciently erected there), and, unfortunately, at a considerable distance from the river. Exactly how far playgoers from London had to walk to reach the theatre after crossing over the river we do not know; but the Privy Council speaks of "the tediousness of the way" thither,[198] and Stow notes that the parish church of Newington was "distant one mile from London Bridge." Further information about the building—its exact situation, its size, its exterior shape, its interior arrangement, and such-like details—is wholly lacking.
Nor are we much better off in regard to its ownership, management, and general history. This seems to be due to the fact that it was not intimately associated with any of the more important London troupes; and to the fact that after a few unsuccessful years it ceased to exist. Below I have recorded the few and scattered references which constitute our meagre knowledge of its history.
The first passage cited may refer to the playhouse at Newington Butts. It is an order of the Privy Council, May 13, 1580, thus summarized by the clerk:
A letter to the Justices of Peace of the County of Surrey, that whereas their Lordships do understand that notwithstanding their late order given to the Lord Mayor to forbid all plays within and about the city until Michaelmas next for avoiding of infection, nevertheless certain players do play sundry days every week at Newington Butts in that part of Surrey without the jurisdiction of the said Lord Mayor, contrary to their Lordship's order; their Lordships require the Justices not only to inquire who they be that disobey their commandment in that behalf, and not only to forbid them expressly for playing in any of these remote places near unto the city until Michaelmas, but to have regard that within the precinct of Surrey none be permitted to play; if any do, to commit them and to advertise them, &c.[199]
The next passage clearly refers to "the theatre" at Newington Butts. On May 11, 1586, the Privy Council dispatched a letter to the Lord Mayor, which the clerk thus summarized:
A letter to the Lord Mayor: his Lordship is desired, according to his request made to their Lordships by his letters of the vii th of this present, to give order for the restraining of plays and interludes within and about the city of London, for the avoiding of infection feared to grow and increase this time of summer by the common assemblies of people at those places; and that their Lordships have taken the like order for the prohibiting of the use of plays at the theatre, and the other places about Newington, out of his charge.[200]
Chalmers[201] thought the word "theatre" was used of the Newington Playhouse, and for this he was taken to task by Collier,[202] who says: "He confounds it with the playhouse emphatically called 'the Theatre' in Shoreditch; and on consulting the Register, we find that no such playhouse as the Newington Theatre is there spoken of." But Chalmers was right; for if we consult the "Registers" we find the following letter, dispatched to the Justices of Surrey on the very same day that the letter just quoted was sent to the Lord Mayor:
A letter to the Justices of Surrey, that according to such direction as hath been given by their Lordships to the Lord Mayor to restrain and inhibit the use of plays and interludes in public places in and about the City of London, in respect of the heat of the year now drawing on, for the avoiding of the infection like to grow and increase by the ordinary assemblies of the people to those places, they are also required in like sort to take order that the plays and assemblies of the people at the theatre or any other places about Newington be forthwith restrained and forborn as aforesaid, &c.[203]
The phrase, "the theatre or any other places about Newington," when addressed to the "Justices of the Peace of Surrey" could refer only to the Newington Butts Playhouse.
On June 23, 1592, because of a riot in Southwark, the Privy Council closed all the playhouses in and about London.[204] Shortly after this the Lord Strange's Men, who were then occupying the Rose, petitioned the Council to be allowed to resume acting in their playhouse. The Council granted them instead permission to act three times a week at Newington Butts; but the players, not relishing this proposal, chose rather to travel in the provinces. Soon finding that they could not make their expenses in the country, they returned to London, and again appealed to the Privy Council to be allowed to perform at the Rose.[205] The warrant issued by the Council in reply to this second petition tells us for the first time something definite about the Newington Butts Theatre:
To the Justices, Bailiffs, Constables, and Others to Whom it Shall Appertain:
Whereas not long since, upon some considerations, we did restrain the Lord Strange his servants from playing at the Rose on the Bankside, and enjoyned them to play three days [a week] at Newington Butts; now forasmuch as we are satisfied that by reason of the tediousness of the way, and that of long time plays have not there been used on working days, and for that a number of poor watermen are thereby relieved, you shall permit and suffer them, or any other, there [at the Rose] to exercise themselves in such sort as they have done heretofore, and that the Rose may be at liberty without any restraint so long as it shall be free from infection, any commandment from us heretofore to the contrary notwithstanding.[206]
From this warrant we learn that so early as 1592 the Newington house was almost deserted, and that "of long time" plays had been given there only occasionally.
Two years later, on June 3, 1594, Henslowe sent the Admiral's and the Chamberlain's Men to play temporarily at the half-deserted old playhouse, probably in order to give opportunity for needed repairs at the Rose.[207] The section of his Diary, under the heading, "In the name of god Amen begininge at newington my Lord Admeralle men & my Lord Chamberlen men As followethe 1594," constitutes the fullest and clearest—and, one may add, the most illustrious—chapter in the history of this obscure building; for although it extends over only ten days, it tells us that Edward Alleyn, Richard Burbage, and William Shakespeare then trod the Newington stage, and it records the performance there of such plays as The Jew of Malta, Andronicus, The Taming of a Shrew, and Hamlet.
We next hear of the building near the end of the century: in 1599, says Mr. Wallace, it was "only a memory, as shown by a contemporary record to be published later."[208]
Two other references close the history. In A Woman is a Weathercock, iii, iii, printed in 1612, but written earlier, one of the actors exclaims of an insufferable pun: "O Newington Conceit!" The fact that this sneer is the only reference to the Newington Playhouse found in contemporary literature is a commentary on the low esteem in which the building was held by the Elizabethans, and its relative unimportance for the history of the drama.
The last notice is in Howe's continuation of Stow's Annals (1631).[209] After enumerating all the theatres built in London and the suburbs "within the space of three-score years," he adds vaguely, "besides one in former time at Newington Butts."
