CHAPTER II. THE MORROW.

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How pleasant it must have been to the family the next morning to assemble round the amply-supplied breakfast-table in a handsome and spacious drawing-room. But drawing-room, and breakfast-table, and all outward comforts, signify nothing, if the inward are wanting; if affectionate dispositions and kind looks do not make the room bright, and the breakfast well-flavoured. But nothing was wanting on this morning to the family of the Franks—not even the sun. It shone in brightly to illumine the bright scene.

Henrik made a speech to Madame Folette, in testimony of his love and reverence for her, and of his joy on meeting her again in so good a state of preservation.

Louise, with the help of Eva, served tea and coffee, bread and butter, etc., taking particular care that everybody had just what they liked best. The basket which held sugar-biscuits was constantly in the neighbourhood of Jacobi.

"How glorious this is!" exclaimed Henrik, rubbing his hands, and casting a glance of pleasure around on his parents and sisters, "it is quite paradisiacal! What does your Majesty desire? Ah, your most devoted servant! Coffee, if I might ask it, excellent Madame Folette!"

"After breakfast," said the mother, "I have something for you to guess."

"Something to guess?" said Henrik, "what can it be? Tell me, what is it like, sweet mamma? what name does it bear?"

"A wedding," replied she.

"A wedding? A most interesting novelty! I cannot swallow another morsel till I have made it out! Jacobi, my best fellow, can I possess myself of a biscuit? A wedding! Do I know the parties?"

"Perfectly well."

"It cannot possibly be our excellent Uncle Munter, himself?" suggested he. "He seems to me very odd, and, as it were, a little touched in the heart."

"Oh, no, no! He'll not marry."

"He is already so horribly old," said Eva.

"Old!" exclaimed the Judge. "He is something above forty, I fancy; you don't call that so horribly old, my little Eva. But it is true he has always had an old look."

"Guess better," said the mother.

"I have it! I have it!" said Petrea, blushing. "It is Laura! Aunt Evelina's Laura!"

"Ah, light breaks in," said Henrik; "and the bridegroom is Major Arvid G. Is it not?"

"Precisely," said his mother. "Laura makes a very good match. Major G. is a very good-looking, excellent young man; and beyond this, has a good property. He has persuaded Evelina to remove with Karin to his beautiful seat at Axelholm, and to consider Laura's and his home as theirs for the future. Eva dear, set the ham before Henrik. What do you want, my angel Gabriele? Another rusk? Heavens! how quick you are! Leonore, may I give you some more bread and butter, my child? No?"

"But I hope," exclaimed Henrik, "that we shall be invited to the wedding. Evelina, who is such a sensible woman, must have the good sense to invite us. Most gracious sister Queen-bee, these rolls—very nourishing and estimable rolls—were they baked before or after the Flood?"

"After," replied Louise, a little piqued, yet with a smile.

"Oh! I humble myself in the dust," said he. "I pray your Majesty most graciously to pardon me—[aside—but after all they taste remarkably either of the ark or of a cupboard]. But what in all the world sort of breakfast are you making, Petrea? Nay, dear sister, such, a superfluity in eating never can prosper. I pray you do not eat yourself ill!"

Petrea, who had her curious fancies, or as Louise called them, her "raptures," had now for some time had the fancy to take only a glass of cold water and a piece of dry bread for her breakfast. On account of this abstinence, Henrik now jested, and Petrea answered him quite gaily; Louise, on the contrary, took up the matter quite seriously, and thought—as many others did—that this whim of Petrea's had a distant relationship to folly; and folly, Louise—the sensible Louise—considered the most horrible of horrors; Louise, who was so very sensible!

"Now, really, you must not sit gossiping any longer!" exclaimed the father, when he saw their mouths only put in motion by conversation, "else I must go away and leave you; and I should very much like to go into the garden with you first."

A general rising followed these words, and all betook themselves to the garden, with the exception of Leonore, who was unwell, and the little Gabriele, who had to be careful on account of the damp.

In the mean time the garden had its own extraordinary circumstances, and all here did not go on in the usual mode; for although the place was yet not laid out, and the April snow covered the earth, and still hung in great masses on the low fruit-trees, which were the only wealth of the garden, yet these, not at all according to the commonly established laws of nature, were covered with fruit the most beautiful; rennets and oranges clustered the twigs, and shone in the sun. Exclamations were uttered in every variety of tone; and although both Jacobi and Henrik protested that they could not discover any way of accounting for this supernatural phenomenon, still they did not escape the suspicion of being instrumental in the witchcraft, spite of all the means they used to establish their innocence. The opinion, however, was universally adopted, that good and not bad elves had been thus busily at work; and the fruit, therefore, was gathered without fear of bad consequences, and laid in baskets. The elves were praised both in prose and verse; and there never was a merrier harvest-feast.

The Judge had some trouble to get anybody to listen to all his plans of lilac-hedges, strawberry-beds, of his arbour, and his garden-house. The narrow space, however, in which he had to work troubled him.

"If one could only get possession of the piece of land beyond this!" said he, striking with his stick upon the tall red-boarded fence which bounded one side of the garden. "Look here, Elise, peep through that gap; what a magnificent site it is for building—it extends down to the river!—what a magnificent promenade it would make, properly laid out and planted! It might be a real treasure to the whole city, which needs a regular walk in its neighbourhood; and now it lies there desolate, and useful to nobody, but only for a few cows, because the proprietor does not know how to make use of it; and our good men of the city have not public spirit enough to purchase it out of the common fund for the general good. If I were but rich enough to buy the place, it should soon have a different appearance, and instead of cows human beings should be walking there; these boards should be torn down, and our garden should be united to the great promenade. What a situation it would be!"

"Would not beehives answer very well here?" asked our sensible Queen-bee; "the sun strikes directly on these boards."

"You are perfectly right, Louise," said her father, well pleased; "that is a good thought; this is an excellent place for beehives: to-morrow I'll see about some. Two or three we must have, and that directly, that the bees may have the advantage of the apple and cherry bloom. Thus we can see them working altogether, and learn wisdom from them, and watch how they collect honey for us. That will be a pleasure—don't you think so, Elise?"

Elise rejoiced sincerely over the bees, and over the garden. It would give her great pleasure to lay it out. She would set Provence-roses as soon as possible; and forcing houses also should be erected. Eva thought she should give herself up to gardening.

But it was necessary to leave for the present the future home of radishes and roses, because it was wet and uncomfortable out of doors.

Gabriele made large eyes when she saw the basketful of fruit which had been gathered in the garden. But the little Princess Turandotte could not unravel the riddle respecting them, as Henrik presented it to her.

The forenoon was spent in clearing away, and in arranging things in the house. Sara alone took no part in it, but took lessons on the harp from a distinguished young musician of the name of Schwartz, who had come a stranger to the city. She sate the whole morning at her music, which she loved passionately; in the mean time, Petrea had promised to enact the part of lady's-maid to her, and to put all her clothes and things in order.

Henrik sate perfectly happy in his sisters' rooms, and nearly killed himself with laughing while he watched in part their clearing away and bustling about, and in part taking a share in all. The quantities of bundles of pieces, old bonnets, cloaks, dresses, etc., which were here in motion, and played their parts, formed a singular contrast to his student-world, in which such a thing as a piece of printed cotton or a pin might be reckoned quite a curiosity. Then the seriousness with which all these things were treated, and the jokes and merriment which arose out of all this seriousness, were for him most delicious things.

Nothing, however, amused him more than Louise and all her "properties," as well as the great care which, with a half-comic, half-grave earnestness, she took of them; but he declared solemnly that he would disclaim all relationship with her if ever he should see her wearing a certain pale green shawl, called jokingly "spinage," and a pale grey dress, with the surname of "water-gruel." None of the sisters had so many possessions as Louise, and none treated them with so much importance; for she had in the highest degree that kind of passion which we will call property-passion. Her bandboxes and bundles burst themselves out of the space in which she wished to stow them, and came tumbling down upon her head. She accused Henrik of being guilty of these accidents; and certain it is that he helped her, not without some mischievous pleasure, to put them up again in their places.

Louise was well known in the family for her love of what was old; the more shabby a dress was, the more distinguished she seemed to think it; and the more faded a shawl, the more, according to her, it resembled a Cashmere. This affection for old things extended itself sometimes to cakes, biscuits, creams, etc., which often occasioned Henrik to inquire whether an article of a doubtful date had its origin before or after the Flood. We will here add to the description of Louise a few touches, which may make the reader more fully acquainted with her character.

Pure was she both in heart and intention, with great love of truth, and a high moral sense, although too much given to lecturing, and sometimes a little wanting in charity towards erring fellow-mortals. She had much of her father's understanding and prudence, but came, of course, far short of him in knowledge of mankind and in experience, although now, in her eighteenth year, she considered herself to have a perfect knowledge of mankind. The moral worth of her soul mirrored itself in her exterior, which, without her being handsome, pleased, and inspired a degree of confidence in her, because good sense expressed itself in her calm glance, and her whole demeanour was that of a decided and well-balanced character. A certain comic humour in her would often dissolve her solemn mien and important looks into the most hearty laughter; and when Louise laughed, she bore a charming resemblance to her mother, for she possessed Elise's beautiful mouth and teeth.

She was as industrious as an ant, and in the highest degree helpful to those who were deserving of help, but less merciful than Lafontaine's ants were to thoughtless crickets and their fellows. Louise had three hobby-horses, although she never would confess that she had a single one. The first was to work tapestry; the second, to read sermons; and the third, to play Patience, and more especially Postillion. A fourth had of late began to discover itself, and that was for medicine—for the discovering and administering of useful family medicines; nay, she had herself decocted a certain elixir from nine bitter herbs, which Henrik declared would be very serviceable in sending people to the other world. Louise was no way disturbed by all this, for she did not allow herself to be annoyed by remarks.

She prized, enjoyed, and sought, above all things, after "the right;" but she also set a high value on "respectability" and "property," and seemed to think that these were hers of course. She had the excellent peculiarity of never undertaking anything that she could not creditably get through with; but she had a great opinion of her own ability, in which her family participated, although they sometimes attempted to set her down. In the mean time she was in many instances the adviser and support of the family; and she had a real genius for the mighty department of housekeeping.

The parents called her, with a certain satisfaction—the father with a secret pride—"our eldest daughter." The sisters styled her rather waggishly "our eldest sister," and sometimes simply "our eldest;" and "our eldest" knew exceedingly well how to regard her own dignity in respect to rank and priority. Beyond this, she had a high idea of the value of woman.

Louise had an album, in which all her friends and acquaintance had written down their thoughts or those of others. It was remarkable what a mass of morality this book contained.

We fear that our readers may be somewhat weary of hearing the names of Sara, Louise, Eva, Leonore, Petrea, Gabriele, repeated so often one after another, and we are very sorry that we find it unavoidable yet once more to present the whole array in connexion with Louise. But we will see what little variety we can make by taking them at hap-hazard, and therefore now steps forward

PETREA.

We are all of us somewhat related to chaos; Petrea was very closely so. Momentary bursts of light and long periods of confusion alternated in her. There was a great dissimilarity between Louise and Petrea. While Louise required six drawers and more to contain her possessions, there needed scarcely half a one for the whole wardrobe of Petrea; and this said wardrobe too was always in such an ill-conditioned case, that it was, according to Louise, quite lamentable, and she not unfrequently lent a helping hand to its repair. Petrea tore her things, and gave away without bounds or discrimination, and was well known in the sisterly circle for the bad state of her affairs. Petrea had no turn for accumulation; on the contrary, she had truly, although Louise would not allow it, a certain turn for art.

She was always occupied by creations of one kind or another, either musical, or architectural, or poetical. But all her creations contained something of that which is usually called trash. At twelve years old she wrote her first romance: "Annette and Belis loved each other tenderly; they experienced adversity in their love; were at last, however, united, and lived henceforth in a charming cottage, surrounded with hedges of roses, and had eight children in one year," which we may call a very honourable beginning. A year afterwards she began a tragedy, which was to be called "Gustavus Adolphus and Ebba Brahe," and which opened with these verses spoken by one Delagardie:

Whether no sheet of paper was broad enough to contain the lengthened lines, or any other cause interfered to prevent the completion of the piece, we know not; but certain it is that it was soon laid aside. Neither did a piece of a jocular nature, which was intended to emulate the fascinating muse of Madame Lenngren,[5] advance much further—the beginning was thus:

Within the lordly castle Elfvakolastie,
Which lay, in sooth, somewhere in Sverge,[6]
There lived of yore the lovely Melanie,
The only daughter of Count Stjerneberge.

At the present time Petrea was engaged on a poem, the title of which, written in large letters, ran thus—"The Creation of the World!"

The Creation of the World began thus:

CHAOS.

Once in the depths etern of darkness lying,
This mighty world
Waited expectantly the moments flying
When light should be unfurled.
The world was nothing then, which now is given
To crowds of busy men;
And all our beautiful star-spangled heaven
Was desolate darkness then;
Yet He was there, who before time existed,
Who will endure for ever.

The creation of the world ceased with this faint glimmering of light, and was probably destined under Petrea's hand never to be brought forth from chaos. Petrea had an especially great inclination for great undertakings, and the misfortune to fail in them. This want of success always wounded her deeply, but in the next moment the impulse of an irresistibly vigorous temperament raised her above misfortune in some new attempt. The blood rushed up to her young head, and filled it with a mass of half-formed thoughts, fancies, and ideas; her mind and her character were full of disquiet. At times joyous and wild beyond bounds, she became on the other hand wretched and dispirited without reason. Poor Petrea! She was wanting in every kind of self-regulation and ballast, even outwardly; she walked ill—she stood ill—she curtseyed ill—sate ill—and dressed ill; and occasioned, in consequence, much pain to her mother, who felt so acutely whatever was unpleasing; and this also was very painful to Petrea, who had a warm heart, and who worshipped her mother.

Petrea also cherished the warmest affection and admiration for Sara, but her manner even of evidencing her affection was commonly so entirely without tact, as rather to displease than please the object of it. The consciousness of this fact embittered much of Petrea's life; but it conducted her by degrees to a love in which tact and address are of no consequence, and which is never unreturned.

Sometimes Petrea was seized with a strong consciousness of the chaoticness of her state; but then, again, at other times she would have a presentiment that all this would clear itself away, and then that something which was quite out of the common way would come forth; and then she was accustomed to say, half in jest and half in earnest, to her sisters, "You'll see what I shall turn out sometime!" But in what this extraordinary turning out should consist nobody knew, and least of all poor Petrea herself. She glanced full of desire towards many suns, and was first attracted by one and then by another.

Louise had for Petrea's prophesyings great contempt, but the little Gabriele believed in them all. She delighted herself, moreover, so heartily in all that her sister began, that Petrea sacrificed to her her most beautiful gold-paper temple; her original picture of shepherdesses and altars; and her island of bliss in the middle of peaceful waters, and in the bay of which lay a little fleet of nut-shells, with rigging of silk, and laden with sugar-work, and from the motion of which, and the planting of its wonderful flowers, and glorious fruit-bearing trees, Petrea's heart had first had a foretaste of bliss.

Petrea's appearance imaged her soul;—for this too was very variable; this too had its "raptures;" and here too at times also a glimmering light would break through the chaos. If the complexion were muddled, and the nose red and swollen, she had a most ordinary appearance; but in cooler moments, and when the rose-hue confined itself merely to the cheeks, she was extremely good-looking; and sometimes too, and that even in her ugly moments, there would be a gleam in her eye, and an expression in her countenance, which had occasioned Henrik to declare that "Petrea was after all handsome!"

To a chaotic mind, the desire for controversy is in-born; it is the conflict of the elements with each other. There was no subject upon which Petrea had not her conjectures, and nothing upon which she was not endeavouring to get a clear idea; on this account she discussed all things, and disputed with every one with whom she came in contact; reasoned, or more properly made confusion, on politics, literature, human free-will, the fine arts, or anything else; all which was very unpleasant to the tranquil spirit of her mother, and which, in connexion with want of tact, especially in her zeal to be useful, made poor Petrea the laughing-stock of every one; a bitter punishment this, on earth, although before the final judgment-seat of very little, or of no consequence at all.

LEONORE.

Spite of the mother's embraces, and the appellation, "thou beloved, plain child!" the knowledge by degrees had come painfully to Leonore that she was ugly, and that she was possessed of no charm—of no fine endowment whatever; she could not help observing what little means she had of giving pleasure to others, or of exciting interest; she saw very plainly how she was set behind her more gifted sisters by the acquaintance and friends of the family; this, together with feeble health, and the discomfort which her own existence occasioned to her, put her in a discordant state with life and mankind. She was prone to think everything troublesome and difficult; she fell easily into a state of opposition to her sisters, and her naturally quick temper led her often into contentions which were not without their bitterness. All this made poor Leonore feel herself very unhappy.

But none, no! none, suffer in vain, however for a while it may appear so. Suffering is the plough which turns up the field of the soul, into whose deep furrows the all-wise Husbandman scatters his heavenly seed; and in Leonore, also, it already began to sprout, although, as yet, only under the earth. She was not aware of it herself yet; but all that she experienced in life, together with the spirit which prevailed in her family, had already awakened the beauty of her soul. She was possessed of deep feeling, and the consciousness of her many wants made her, by degrees, the most unpretending and humble of human beings; and these are virtues which, in private life, cannot be exceeded. If you come near a person of this character, the influence on you is as if you came out of the sun's heat into refreshing shadow: a soft coolness is wafted over your soul, which refreshes and tranquillises you at the same time.

In the period at which we have now to meet Leonore, she had just recovered from the scarlet fever, which had left behind it such an obstinate and oppressive headache as compelled her almost constantly to remain in her own room; and although her parents and her sisters visited her there, it afforded her but little pleasure, for as yet she had not learned how, by goodness and inward kindness, to make herself agreeable to others.

But, poor Leonore! when I see thee sitting there in deep thought, thy weak head supported by thy hand, sunk in sorrowful reflections, I am ready to lay thy head on my bosom, and to whisper a prophesying in thy ear—but this may as well remain to a future time. We leave thee now, but will return another time to thy silent chamber.

And now step forth, thou, the joy and ornament of home, the beautiful

EVA!

Eva was called in the family, "our rose," "our beauty." There are many in the world like Eva, and it is well that it is so; they are of a pleasing kind. It is delightful to look upon these blooming young girls, with smiles on their lips, and goodness and joy of life beaming from their beautiful eyes. All wish them so well, and they wish so well to all; everything good in life seems as if it came from themselves. They have favourable gales in life—it was so with Eva. Even her weakness, a desire to please, which easily went too far, and an instability of character which was very dangerous to her, exhibited themselves only on their pleasing side, within the circle of her family and of her acquaintance, and helped to make her more beloved.

Eva, although perhaps, strictly speaking, not beautiful, was yet bloomingly lovely. Her eyes were not large, but were of the most exquisite form, and of the clearest dark blue colour, and their glance from under their long black lashes was at once modest, lively, and amiable. The silky chestnut brown hair was parted over a not lofty but classically-formed brow. Her skin was white, fine, and transparent, and the mouth and teeth perfectly beautiful; add to all this, Eva had the fine figure of her mother, with her light and graceful action. Excellent health, the happiest temper, and a naturally well-tuned soul, gave a beautiful and harmonious expression to her whole being. Whatever she did, she did well, and with grace; and whatever she wore became her; it was a kind of proverb in the family, that if Eva were to put a black cat on her head it would be becoming.

A similarity in understanding and talent, as well as companionship together, had made Louise and Eva hitherto "les inseparables," both at home and abroad; of late, however, without separating herself from Louise, Eva had been drawn, as it were, by a secret power to Leonore. Louise, with all her possessions, was so sufficient for herself. Leonore was so solitary, so mournful, up there, that the good heart of Eva was tenderly drawn towards her.

But it seems to us as if Gabriele looks rather poutingly, because she has been so long, as it were, pushed aside. We will therefore hastily turn to

THE LITTLE LADY.

It did not please "our little lady" to be neglected at all. Gabriele was, in truth, a spoiled child, and often made "la pluie" and the "beau temps" in the house. She was defended from cold, and wind, and rain, and vexation, and faddled with and indulged in all possible ways, and praised and petted as if for the best behaviour, if she were only gracious enough to take a cup of bouillon, or the wing of a chicken for dinner. She herself is still like the chicken under the mother's wing; yet she will sometimes creep from under, and attempt little flights on her own account. Then she is charming and merry, makes enigmas and charades, which she gives mostly to her mother and Petrea to guess. It gives her particular pain to be treated as a little girl; and nothing worse can happen to her than for the elder sisters to say, "Go out just for a little while, Gabriele, dear!" in order that they may then impart to each other some important affair, or read together some heart-rending novel. She will willingly be wooed and have homage paid to her; and the Assessor is always out of favour with her, because he jokes with her, and calls her "little Miss Curlypate," and other such ugly names.

Learning and masters are no affairs of hers. She loves a certain "far niente," and on account of delicate health her tastes are indulged. Her greatest delight is in dancing, and in the dance she is captivating. In opposition to Petrea, she has a perfect horror of all great undertakings; and in opposition to Louise, a great disinclination to sermons, be they by word of mouth or printed. The sun, the warm wind, flowers, but above all, beloved and amiable human beings, make Gabriele feel most the goodness of the Creator, and awaken her heart to worship.

She has a peculiar horror of death, and will neither hear it, nor indeed anything else dark or sorrowful, spoken of; and, happily for Gabriele, true parental love has a strong resemblance to the Midsummer sun of the North, which shines as well by night as by day.

If we turn from the bright-haired Gabriele to Sara, to "that Africa," as the Assessor called her, we go from day to night. Sara was like a beautiful dark cloud in the house—like a winter night with its bright stars, attractive, yet at the same time repulsive. To us, nevertheless, she will become clear, since we possess the key to her soul, and can observe it in the following

NOTICES FROM SARA'S JOURNAL.

"Yesterday evening Macbeth was read aloud; they all trembled before Lady Macbeth: I was silent, for she pleased me. There was power in the woman."

"Life! what is life? When the tempest journeys through space on strong free pinions, it sings to me a song which finds an echo in my soul. When the thunder rolls, when the lightning flames, then I divine something of life in its strength and greatness. But this tame every-day life—little virtues, little faults, little cares, little joys, little endeavours—this contracts and stifles my spirit. Oh, thou flame which consumest me in the silent night, what wilt thou? There are moments in which thou illuminest, but eternities in which thou tormentest and burnest me!"

"This narrow sphere satisfies them; they find interest in a thousand trifles; they are able to exert themselves in order to obtain little enjoyments for each other. Well for them! I was made for something different."

"Why should I obey? Why should I submit my inclination—my will, to gratify others?—Why? Ah, freedom—freedom!"

"I have obtained 'Volney's Ruins' from S——. I conceal the book from these pious fearful people, who tremble at shadows; but to-night!—to-night!—when their eyes are closed in sleep, mine shall wake and read it. The frontispiece to this book gives me extraordinary pleasure. A wreck combats with stormy waves; the moon goes down amid black clouds; on the shore, among the ruins of a temple, sits a Mussulman—a beautiful and thoughtful figure—and surveys the scene. I likewise observe it, and an agreeable shudder passes through me. A vast ruin is better and far more beautiful than a small and an empty happiness."

"The book pleases me. It expresses what has long lain silent in me. It gives clear light to my dark anticipations. Ah! what a day dawns upon me! A dazzling light that clears away all misty illusions, but my eyes are strong enough to bear it! Let the net of prejudice, let the miserable bond of custom be rent asunder, let the fettering supports fall! My own strength is sufficient for me."

"Why am I a woman? As a man my life and my conduct would have been clear and easy; as a woman, I must bow myself in order to clear myself. Miserable dependence! Miserable lot of woman!"

"I do not love S——, but he makes a certain impression upon me. The dark strength in his eye pleases me, the reckless strong will that will bow itself only to me; and when he takes the harp in his arms, with what powerful strength he compels it to express all that which the heart has dreamt and dreams. Then he grasps the strings of my heart—then I acknowledge in him my master; but never, he shall never govern me.

"His spirit is not powerful enough for that. He never can be other to me than as a means to my end. Nor will I herein deceive him. I am too proud for a hypocrite. I know well whom I could love. I know well the man who could be the aim of my ambition."

"Nature never created me for this narrow sphere—for this narrow foot-track through life. S—— shows me another, which captivates my mind; I feel that I am created for it.

"I have observed myself in the glass, and it tells me, as well as the glance of mankind, that I am handsome. My growth is strong, and accords with the character of my countenance. I cannot doubt the assurance of S——. My person, in connexion with the powers of my mind, and my talent, will ensure me a brilliant future."

"What purpose would it serve to create illusions? Away with all illusions! I stand upon a higher point than those around me—than they who consider themselves entitled to censure my faults, to exalt themselves in secret above me, perhaps because they have taken me out of compassion. Taken me out of compassion! Subjecting, humiliating thought!

"Yet, at the same time, they are good; yes, angelically good to me. I wish they were less so!"

"To-night, now for the second time in my life, I have had the same extraordinary dream. It appeared to me that I was in my chamber, and saw in heaven vast masses of black cloud above my head driving towards the horizon, accompanied with a strong rushing sound in the air.

"'Save thyself, Sara!' cried the voices of my sisters; 'come, come with us!' But I felt in my limbs that peculiar sluggishness which one perceives in dreams when one wishes to hasten. My chamber-window flew open before the tempest, and impelled by a strong curiosity I looked out. The sun stood opposite to me, pale, watery, without beams; but the whole firmament around me seemed to burn; a glow of fire passed over all things. Before me stood a tall aspen, whose leaves trembled and crackled, whilst sparks of fire darted forth from them. Upon one twig of the tree sate a huge black bird, looking on me with a fiery glance, and singing hoarsely and tunelessly, while the tempest and flame rioted around him. I heard the voices of my adopted mother and sisters anxiously calling on me from a distance ever further and further removed.

"I leaned myself out of the window to hear what the black bird with the wonderful voice sang. I no longer had any fear. I awoke; but the dream has a charm for me."

"The black bird sings to me, out of my dream. My adopted mother has wept to-day on my account. I am sorry for it, but——it is best that I go. They do not love me here—they cannot do it. They do not need me, nor I them any longer. It is best that we separate."

Thus Sara.

We will now cast a glance on the parents themselves, who were not greatly altered, excepting that Elise's whole appearance exhibited much more health and strength than formerly. The energetic countenance of the Judge had more wrinkles, but it had, besides, an expression of much greater gentleness. A slight, but perhaps not wholly unpardonable, weakness might be observed in him. He was completely captivated with his daughters. God bless the good father!

FOOTNOTES:

[5] Anna Lenngren, a distinguished Swedish poetess, admired especially for her Idyls. She died in 1817.

[6] Sweden.


                                                                                                                                                                                                                                                                                                           

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